1
00:00:03,304 --> 00:00:04,372
PREVIOUSLY ON LOVE and HIP-HOP:

2
00:00:04,372 --> 00:00:05,373
ATLANTA...

3
00:00:05,373 --> 00:00:06,674
I GOT SOMETHING FOR YOU.

4
00:00:06,674 --> 00:00:08,609
[laughs]

5
00:00:08,609 --> 00:00:09,310
I'LL KICK A DENT

6
00:00:09,310 --> 00:00:09,977
IN YOUR BRACES, HO.

7
00:00:09,977 --> 00:00:10,644
YOU WILL RIGHT NOW?

8
00:00:10,644 --> 00:00:11,412
BITCH, I'LL KICK A DENT

9
00:00:11,412 --> 00:00:12,313
IN YOUR BRACES, SO WATCH

10
00:00:12,313 --> 00:00:14,315
YOUR MOTHER[bleep] MOUTH, HO.

11
00:00:14,315 --> 00:00:16,217
TIC-TAC-TOE.

12
00:00:16,217 --> 00:00:17,218
I HAD--WENT TO THE DOCTOR

13
00:00:17,218 --> 00:00:17,918
YESTERDAY.

14
00:00:17,918 --> 00:00:19,120
AND I'M PREGNANT.

15
00:00:19,120 --> 00:00:19,853
I DON'T THINK

16
00:00:19,853 --> 00:00:20,854
THE TIMING'S RIGHT.

17
00:00:20,854 --> 00:00:22,456
WELL, I APOLOGIZE THAT ME

18
00:00:22,456 --> 00:00:23,791
HAVING A BABY'S NOT A PART

19
00:00:23,791 --> 00:00:25,326
OF YOUR LIFE PLAN.

20
00:00:25,326 --> 00:00:26,627
WE HAVE A RELATIONSHIP

21
00:00:26,627 --> 00:00:27,695
THAT'S A LITTLE BEYOND

22
00:00:27,695 --> 00:00:28,429
FRIENDSHIP.

23
00:00:28,429 --> 00:00:29,397
THE LAST TIME I SEEN

24
00:00:29,397 --> 00:00:30,698
THAT MAN, I AIN'T KNOW WHETHER

25
00:00:30,698 --> 00:00:31,965
TO PUNCH THAT BITCH

26
00:00:31,965 --> 00:00:32,833
OR TO FIGHT HIM.

27
00:00:32,833 --> 00:00:34,168
JUST MOVE ON.

28
00:00:34,168 --> 00:00:35,636
[groans]

29
00:00:35,636 --> 00:00:37,105
WHY IS JOHNNY RAPPING

30
00:00:37,105 --> 00:00:37,805
ABOUT GIRLS?

31
00:00:37,805 --> 00:00:38,606
HE LIKE ME.

32
00:00:38,606 --> 00:00:39,673
ANYBODY THAT'S GOT

33
00:00:39,673 --> 00:00:42,110
SOME [bleep] BEEF RIGHT NOW,

34
00:00:42,110 --> 00:00:43,244
PLEASE GET THE [bleep]

35
00:00:43,244 --> 00:00:44,145
OUT OF HERE.

36
00:00:44,145 --> 00:00:45,179
YOUR BOYFRIEND'S GAY.

37
00:00:45,179 --> 00:00:46,147
HIS FRIEND'S GAY.

38
00:00:46,147 --> 00:00:47,081
YOU DON'T EVEN HAVE

39
00:00:47,081 --> 00:00:48,116
A [bleep] MAN.

40
00:00:48,116 --> 00:00:49,350
YOU'RE ABSOLUTELY RIGHT.

41
00:00:49,350 --> 00:00:51,752
AND YOU WILL NEVER HAVE ONE.

42
00:00:51,752 --> 00:00:52,420
YOU WERE STICKING UP

43
00:00:52,420 --> 00:00:53,087
FOR THIS BITCH.

44
00:00:53,087 --> 00:00:53,821
I'M NOT STICKING UP

45
00:00:53,821 --> 00:00:54,722
FOR NO [bleep] BODY.

46
00:00:54,722 --> 00:00:55,423
I'M WITH YOU.

47
00:00:55,423 --> 00:00:56,890
DON'T GET ALL THIS

48
00:00:56,890 --> 00:00:58,226
LIQUID COURAGE

49
00:00:58,226 --> 00:00:59,393
AND THEN TAKE IT OUT ON ME.

50
00:00:59,393 --> 00:01:00,261
BITCH, I HIT YOU

51
00:01:00,261 --> 00:01:01,762
IN YOUR [bleep] FACE.

52
00:01:01,762 --> 00:01:05,533
ARE YOU [bleep] KIDDING ME?

53
00:01:05,533 --> 00:01:07,168
* THIS IS THE LIFE

54
00:01:07,168 --> 00:01:08,136
♪ THIS IS THE LIFE

55
00:01:08,136 --> 00:01:08,769
* YEAH

56
00:01:08,769 --> 00:01:09,503
* THIS IS THE LIFE

57
00:01:09,503 --> 00:01:10,404
♪ THIS IS THE LIFE

58
00:01:10,404 --> 00:01:11,139
* 'SUP ♪

59
00:01:11,139 --> 00:01:11,939
* THIS IS THE LIFE

60
00:01:11,939 --> 00:01:12,973
♪ THIS IS THE LIFE

61
00:01:12,973 --> 00:01:13,641
* HUH

62
00:01:13,641 --> 00:01:14,342
* THIS IS THE LIFE

63
00:01:14,342 --> 00:01:17,511
♪ THIS IS THE LIFE

64
00:01:17,511 --> 00:01:18,179
* HUH

65
00:01:18,179 --> 00:01:19,147
♪ THERE AIN'T NOTHING LIKE ♪

66
00:01:19,147 --> 00:01:20,181
♪ HIP-HOP MUSIC

67
00:01:20,181 --> 00:01:22,183
♪ MUSIC

68
00:01:22,183 --> 00:01:23,584
* THIS IS THE LIFE

69
00:01:23,584 --> 00:01:27,955
♪ THIS IS THE LIFE

70
00:01:38,332 --> 00:01:39,733
WELL, I THINK THIS IS

71
00:01:39,733 --> 00:01:41,068
A GREAT [bleep] TRIP.

72
00:01:41,068 --> 00:01:42,303
IT WASN'T A GREAT TRIP.

73
00:01:42,303 --> 00:01:43,471
I'VE HAD MANY GREAT TRIPS.

74
00:01:43,471 --> 00:01:44,638
THIS WASN'T ONE OF 'EM.

75
00:01:44,638 --> 00:01:46,174
I'M BEING SARCASTIC, OKAY?

76
00:01:46,174 --> 00:01:47,308
MM, OKAY.

77
00:01:47,308 --> 00:01:48,276
I'M BEYOND DONE

78
00:01:48,276 --> 00:01:48,976
WITH K.MICHELLE.

79
00:01:48,976 --> 00:01:50,444
AND I FELT SOME TYPE OF WAY

80
00:01:50,444 --> 00:01:51,345
THAT ARIANE WAS GETTING

81
00:01:51,345 --> 00:01:53,214
IN MY BUSINESS YET AGAIN.

82
00:01:53,214 --> 00:01:53,947
SHE'S BEEN MY FRIEND

83
00:01:53,947 --> 00:01:55,183
FOR NINE YEARS,

84
00:01:55,183 --> 00:01:56,217
AND I REALLY FEEL LIKE

85
00:01:56,217 --> 00:01:57,185
SHE DOESN'T HAVE MY BACK.

86
00:01:57,185 --> 00:01:58,652
AND THAT [bleep] [bleep] UP.

87
00:01:58,652 --> 00:01:59,353
I DON'T KNOW.

88
00:01:59,353 --> 00:02:01,489
IT JUST SEEMS LIKE YOU ARE RIGHT

89
00:02:01,489 --> 00:02:02,590
SMACK DAB IN THE MIDDLE

90
00:02:02,590 --> 00:02:03,291
OF THIS [bleep].

91
00:02:03,291 --> 00:02:04,425
I WAS IN THE MIDDLE.

92
00:02:04,425 --> 00:02:05,659
I WAS RIGHT IN THE MIDDLE,

93
00:02:05,659 --> 00:02:06,394
ABSOLUTELY.

94
00:02:06,394 --> 00:02:07,195
THAT'S WHAT I'M SAYING.

95
00:02:07,195 --> 00:02:09,663
BUT TO BE YELLED AT AGAIN

96
00:02:09,663 --> 00:02:10,898
AFTER WE HAD JUST HAD

97
00:02:10,898 --> 00:02:11,599
THAT CONVERSATION,

98
00:02:11,599 --> 00:02:12,433
IT WAS LIKE, "OKAY."

99
00:02:12,433 --> 00:02:13,467
WELL, THE VIDEO SHOOT,

100
00:02:13,467 --> 00:02:14,568
THAT WAS A WHOLE NOTHER

101
00:02:14,568 --> 00:02:15,369
BALL GAME.

102
00:02:15,369 --> 00:02:16,470
RIGHT, BUT EVEN IN THIS

103
00:02:16,470 --> 00:02:18,206
INSTANCE, IT WAS JUST LIKE,

104
00:02:18,206 --> 00:02:19,207
"OKAY, WHY AM I

105
00:02:19,207 --> 00:02:20,040
BEING YELLED AT AGAIN?"

106
00:02:20,040 --> 00:02:22,243
I DON'T KNOW WITH YOU.

107
00:02:22,243 --> 00:02:22,910
WHAT DO YOU MEAN?

108
00:02:22,910 --> 00:02:23,611
I DON'T KNOW.

109
00:02:23,611 --> 00:02:25,213
YOU DON'T KNOW WHAT?

110
00:02:25,213 --> 00:02:26,914
I FEEL LIKE YOU STRADDLING

111
00:02:26,914 --> 00:02:27,715
THE [bleep] FENCE.

112
00:02:27,715 --> 00:02:28,749
STRADDLING WHAT?

113
00:02:28,749 --> 00:02:29,517
BECAUSE I WANTED Y'ALL

114
00:02:29,517 --> 00:02:30,351
TO TALK?

115
00:02:30,351 --> 00:02:31,519
THAT MEANS I'M STRADDLING--

116
00:02:31,519 --> 00:02:32,386
AND I WANTED YOU TO GET IT

117
00:02:32,386 --> 00:02:33,321
OUT THE WAY--

118
00:02:33,321 --> 00:02:35,323
THAT MEANS I'M STRADDLING NOW?

119
00:02:35,323 --> 00:02:36,224
MM-MM.

120
00:02:36,224 --> 00:02:37,458
I KNOW WHERE MY LOYALTY IS.

121
00:02:37,458 --> 00:02:38,726
MMKAY.

122
00:02:38,726 --> 00:02:40,361
THERE'S NO FENCE TO STRADDLE.

123
00:02:40,361 --> 00:02:43,030
I HEAR YOU.

124
00:02:43,030 --> 00:02:44,265
ARIANE, SHE ALWAYS GIVES IT

125
00:02:44,265 --> 00:02:45,766
TO ME STRAIGHT, AND I'M TRYING

126
00:02:45,766 --> 00:02:47,901
TO FIGURE OUT IF SHE'S

127
00:02:47,901 --> 00:02:50,037
ON MY SIDE OF THE FENCE.

128
00:02:50,037 --> 00:02:50,771
I THINK IT'S TOO MUCH.

129
00:02:50,771 --> 00:02:51,539
WE GROWN-UPS.

130
00:02:51,539 --> 00:02:52,406
DON'T DO THAT.

131
00:02:52,406 --> 00:02:53,374
WE NOT 16.

132
00:02:53,374 --> 00:02:54,442
WE NOT IN HIGH SCHOOL.

133
00:02:54,442 --> 00:02:55,909
I'MA JUST ASK YOU STRAIGHT UP.

134
00:02:55,909 --> 00:02:57,811
WHAT DO YOU FEEL, AS MY FRIEND,

135
00:02:57,811 --> 00:02:59,012
ABOUT MY RELATIONSHIP?

136
00:02:59,012 --> 00:03:03,717
[groans]

137
00:03:03,717 --> 00:03:04,485
JUST CURIOUS.

138
00:03:04,485 --> 00:03:05,519
HONESTLY...

139
00:03:05,519 --> 00:03:06,254
HMM.

140
00:03:06,254 --> 00:03:08,356
I THINK HE'S A VERY NICE GUY.

141
00:03:08,356 --> 00:03:12,125
IS HE COMPLETELY FOR YOU?

142
00:03:12,125 --> 00:03:13,093
NO.

143
00:03:13,093 --> 00:03:15,263
AND WHAT MAKES YOU SAY THAT?

144
00:03:15,263 --> 00:03:17,998
I FEEL LIKE HE'S UNAUTHENTIC

145
00:03:17,998 --> 00:03:19,833
SOMETIMES.

146
00:03:19,833 --> 00:03:20,968
HMM.

147
00:03:20,968 --> 00:03:22,503
I SAID FROM THE START

148
00:03:22,503 --> 00:03:23,737
THAT MIMI HAS A TYPE.

149
00:03:23,737 --> 00:03:24,872
AND I'M NOT TALKING ABOUT

150
00:03:24,872 --> 00:03:26,574
THE ABS, THE CHARM,

151
00:03:26,574 --> 00:03:27,808
ALL THAT [bleep].

152
00:03:27,808 --> 00:03:29,277
BUT SHE DEFINITELY HAS A TYPE.

153
00:03:29,277 --> 00:03:30,944
AND I FELT SOMETHING

154
00:03:30,944 --> 00:03:32,079
WAS VERY UNAUTHENTIC

155
00:03:32,079 --> 00:03:34,315
ABOUT NIKKO FROM START.

156
00:03:34,315 --> 00:03:35,115
SOMETIMES I REALLY FEEL

157
00:03:35,115 --> 00:03:37,418
LIKE MIMI IS AFRAID TO BE ALONE.

158
00:03:37,418 --> 00:03:38,452
WITH THIS SITUATION, SHE CHOSE

159
00:03:38,452 --> 00:03:39,920
THE FIRST PERSON TO COME AROUND,

160
00:03:39,920 --> 00:03:42,189
NOT THE RIGHT PERSON, CLEARLY,

161
00:03:42,189 --> 00:03:43,357
BUT I REALLY DON'T FEEL

162
00:03:43,357 --> 00:03:44,925
LIKE SHE'S IN A PLACE WHERE SHE

163
00:03:44,925 --> 00:03:46,159
WANTS TO HEAR ANY OF THIS

164
00:03:46,159 --> 00:03:47,295
RIGHT NOW.

165
00:03:47,295 --> 00:03:48,296
I'M HAPPY IF YOU'RE HAPPY.

166
00:03:48,296 --> 00:03:49,963
I'M HAPPY RIGHT NOW.

167
00:03:49,963 --> 00:03:51,031
OKAY, THEN THAT'S ALL

168
00:03:51,031 --> 00:03:51,799
THAT MATTERS.

169
00:03:51,799 --> 00:03:54,034
OKAY.

170
00:03:54,034 --> 00:03:56,069
I STILL LOVE YOU.

171
00:03:56,069 --> 00:03:57,771
OKAY?

172
00:03:57,771 --> 00:04:01,609
[both laughing]

173
00:04:01,609 --> 00:04:03,611
YOU MAKE ME SICK.

174
00:04:09,149 --> 00:04:11,084
SO GUESS WHO IN THE HELL

175
00:04:11,084 --> 00:04:12,886
HIT ME, ASKING ME TO KICK IT

176
00:04:12,886 --> 00:04:13,587
WITH THEM.

177
00:04:13,587 --> 00:04:14,555
MM-HMM.

178
00:04:14,555 --> 00:04:15,956
* JUST LIKE YOU

179
00:04:15,956 --> 00:04:16,790
♪ MY HEART'S BEEN AFRAID ♪

180
00:04:16,790 --> 00:04:18,091
I DON'T KNOW WHAT IT IS

181
00:04:18,091 --> 00:04:19,860
AND WHY I CAN'T LET SCRAPPY GO,

182
00:04:19,860 --> 00:04:21,495
BUT WHAT I CAN SAY IS,

183
00:04:21,495 --> 00:04:22,330
HE DOES KNOW HOW

184
00:04:22,330 --> 00:04:23,196
TO MAKE ME SMILE.

185
00:04:23,196 --> 00:04:24,932
* GOT MY ARROWS AND THREES

186
00:04:24,932 --> 00:04:25,799
♪ HEADING FOR YOU

187
00:04:25,799 --> 00:04:26,934
SCRAPPY TALKS ABOUT

188
00:04:26,934 --> 00:04:28,336
OUR FRIENDSHIP, BUT THE TRUTH

189
00:04:28,336 --> 00:04:29,603
BE TOLD, IT'S MORE LIKE

190
00:04:29,603 --> 00:04:32,239
FRIENDS WITH BENEFITS.

191
00:04:32,239 --> 00:04:33,173
[soulful pop music]

192
00:04:33,173 --> 00:04:35,343
* I WILL SEND 'EM OVER ♪

193
00:04:35,343 --> 00:04:36,744
♪ AND OVER

194
00:04:36,744 --> 00:04:38,078
♪ ARROWS AND THREES

195
00:04:38,078 --> 00:04:39,980
♪ HEADING FOR YOU

196
00:04:39,980 --> 00:04:41,682
♪ HEY, GIRL, WHAT'S SHAKING? ♪

197
00:04:41,682 --> 00:04:43,417
♪ TELL ME HOW YOUR DAY'S BEEN ♪

198
00:04:43,417 --> 00:04:44,818
♪ I'VE BEEN THINKING 'BOUT YOU ♪

199
00:04:44,818 --> 00:04:45,619
♪ AND I CAN'T WAIT ♪

200
00:04:45,619 --> 00:04:46,887
♪ TO SEE YOU AGAIN

201
00:04:46,887 --> 00:04:48,422
♪ BABY, BUT UNTIL THEN

202
00:04:48,422 --> 00:04:50,123
♪ THE BEST WAY I CAN SHOW YOU

203
00:04:50,123 --> 00:04:51,725
♪ IS BLOWING UP YOUR PHONE

204
00:04:51,725 --> 00:04:52,960
♪ WITH SOME ARROWS AND THREES

205
00:04:52,960 --> 00:04:54,728
WHAT I DO KNOW RIGHT NOW IS,

206
00:04:54,728 --> 00:04:55,629
IT FEELS GOOD TO BE

207
00:04:55,629 --> 00:04:57,398
AROUND THIS MAN.

208
00:04:57,398 --> 00:04:59,032
I GET WHAT I'M DOING IS WRONG,

209
00:04:59,032 --> 00:05:00,601
BUT SOMETIMES IT JUST FEELS

210
00:05:00,601 --> 00:05:03,804
SO RIGHT.

211
00:05:03,804 --> 00:05:04,805
DID YOU MISS ME,

212
00:05:04,805 --> 00:05:05,839
OUR FRIENDSHIP?

213
00:05:05,839 --> 00:05:06,974
I MISSED THE FRIENDSHIP.

214
00:05:06,974 --> 00:05:08,208
AND I DON'T WANT TO EVER

215
00:05:08,208 --> 00:05:10,210
LOSE YOU AS MY HOMEY

216
00:05:10,210 --> 00:05:12,480
EVER IN LIFE AGAIN.

217
00:05:12,480 --> 00:05:13,547
I KNOW.

218
00:05:13,547 --> 00:05:14,682
'CAUSE I HAVE NO ONE

219
00:05:14,682 --> 00:05:15,383
TO TALK TO

220
00:05:15,383 --> 00:05:16,149
WHEN YOU'RE NOT THERE.

221
00:05:16,149 --> 00:05:16,984
AND EVERYTHING

222
00:05:16,984 --> 00:05:17,718
MIGHT NOT GO RIGHT.

223
00:05:17,718 --> 00:05:19,286
YOU THINK THAT US HAVING SEX

224
00:05:19,286 --> 00:05:21,955
MESSED THIS UP?

225
00:05:21,955 --> 00:05:22,656
YES.

226
00:05:22,656 --> 00:05:23,891
I DO TOO.

227
00:05:23,891 --> 00:05:27,828
BECAUSE IT GETS DEEP.

228
00:05:27,828 --> 00:05:30,063
VERY DEEP.

229
00:05:30,063 --> 00:05:31,899
I THINK THE SAUSAGE

230
00:05:31,899 --> 00:05:34,067
GET IN THE WAY,

231
00:05:34,067 --> 00:05:34,868
AND IT MAKES--

232
00:05:34,868 --> 00:05:36,036
OH, GOD.

233
00:05:36,036 --> 00:05:38,038
SHUT UP.

234
00:05:38,038 --> 00:05:39,473
I APPRECIATE OUR FRIENDSHIP,

235
00:05:39,473 --> 00:05:41,509
AND I LOVE YOU.

236
00:05:41,509 --> 00:05:42,543
I WILL ALWAYS LOVE YOU.

237
00:05:42,543 --> 00:05:43,444
AND I'M HERE FOR YOU

238
00:05:43,444 --> 00:05:47,681
NO MATTER WHAT.

239
00:05:47,681 --> 00:05:49,983
OKAY, BACK TO FRIENDS.

240
00:05:49,983 --> 00:05:51,985
I CAN'T WITH YOU.

241
00:06:01,328 --> 00:06:01,995
SO WE'RE JUST GONNA

242
00:06:01,995 --> 00:06:02,730
LEAVE THAT OUT, ALL RIGHT,

243
00:06:02,730 --> 00:06:03,431
AND MAKE THAT ROCK.

244
00:06:03,431 --> 00:06:04,131
YEAH, YEAH, WE'RE GONNA

245
00:06:04,131 --> 00:06:04,798
MAKE THAT ROCK.

246
00:06:04,798 --> 00:06:05,766
BUT I WAS THINKING ABOUT, LIKE,

247
00:06:05,766 --> 00:06:06,534
MAYBE ON THE SHOULDER.

248
00:06:06,534 --> 00:06:07,300
YEAH, YEAH, YEAH.

249
00:06:07,300 --> 00:06:08,702
YEAH, ABSOLUTELY.

250
00:06:08,702 --> 00:06:10,571
MAKE SURE WE AIN'T COVERING

251
00:06:10,571 --> 00:06:12,440
NONE OF THAT ASS-TERPIECE.

252
00:06:12,440 --> 00:06:13,140
ASS-TERPIECE?

253
00:06:13,140 --> 00:06:13,807
[laughs]

254
00:06:13,807 --> 00:06:14,775
I NEVER HEARD OF THAT.

255
00:06:14,775 --> 00:06:15,776
YOU KNOW, I GOT THIS PHOTO

256
00:06:15,776 --> 00:06:17,678
SHOOT SET UP FOR JOSELINE,

257
00:06:17,678 --> 00:06:18,512
BUT I'M STILL BUGGING

258
00:06:18,512 --> 00:06:19,179
ABOUT WHAT HAPPENED

259
00:06:19,179 --> 00:06:20,448
AT MAGIC CITY.

260
00:06:20,448 --> 00:06:21,048
CHE' DIDN'T DESERVE

261
00:06:21,048 --> 00:06:23,250
TO GET SCREAMED ON OR ATTACKED.

262
00:06:23,250 --> 00:06:24,452
I FEEL A LITTLE RESPONSIBLE

263
00:06:24,452 --> 00:06:25,553
FOR PUTTING 'EM BOTH TOGETHER,

264
00:06:25,553 --> 00:06:27,455
BUT, YOU KNOW, WHEN JOSELINE

265
00:06:27,455 --> 00:06:28,722
IS WRONG, SHE NEEDS TO ADMIT

266
00:06:28,722 --> 00:06:29,490
SHE'S WRONG.

267
00:06:29,490 --> 00:06:31,525
AND THIS TIME, SHE'S DEAD WRONG.

268
00:06:31,525 --> 00:06:32,192
SO LOOK.

269
00:06:32,192 --> 00:06:33,761
SOMETHING BEEN ON MY MIND.

270
00:06:33,761 --> 00:06:35,262
WHAT?

271
00:06:35,262 --> 00:06:36,229
THAT LITTLE INCIDENT

272
00:06:36,229 --> 00:06:38,065
THAT HAPPENED AT THE STRIP CLUB.

273
00:06:38,065 --> 00:06:39,266
[bleep] THAT BITCH.

274
00:06:39,266 --> 00:06:40,133
LISTEN.

275
00:06:40,133 --> 00:06:40,801
THIS IS SUPPOSED TO BE

276
00:06:40,801 --> 00:06:41,469
ABOUT ME.

277
00:06:41,469 --> 00:06:42,135
IT IS, BABY.

278
00:06:42,135 --> 00:06:43,003
YOU CAN'T BE BRINGING UP--

279
00:06:43,003 --> 00:06:44,505
LISTEN. LISTEN.

280
00:06:44,505 --> 00:06:45,839
EVERYTHING IS ABOUT YOU.

281
00:06:45,839 --> 00:06:46,940
STEVIE, IF EVERYTHING

282
00:06:46,940 --> 00:06:48,876
IS ABOUT ME, WHY ARE YOU

283
00:06:48,876 --> 00:06:49,910
SITTING ME DOWN WITH THIS

284
00:06:49,910 --> 00:06:51,278
RATCHET-ASS HO?

285
00:06:51,278 --> 00:06:52,045
IT HAPPENED.

286
00:06:52,045 --> 00:06:52,980
LET'S JUST CLEAN IT UP NOW.

287
00:06:52,980 --> 00:06:53,814
YOU SHOULD NOT HAVE ME

288
00:06:53,814 --> 00:06:54,848
SITTING DOWN WITH NOBODY.

289
00:06:54,848 --> 00:06:56,717
THE ONLY BITCH THAT NEEDS TO BE

290
00:06:56,717 --> 00:06:58,486
IN A PHOTO SHOOT, IN A STUDIO,

291
00:06:58,486 --> 00:06:59,352
IS JOSELINE HERNANDEZ.

292
00:06:59,352 --> 00:07:00,020
ALL RIGHT.

293
00:07:00,020 --> 00:07:01,755
I AGREE WITH YOU.

294
00:07:01,755 --> 00:07:02,623
BUT AT THE END OF THE DAY,

295
00:07:02,623 --> 00:07:03,491
I'M LIKE, "WHATEVER HAPPENED

296
00:07:03,491 --> 00:07:04,124
HAPPENED."

297
00:07:04,124 --> 00:07:04,825
YOU KNOW WHAT I'M SAYING?

298
00:07:04,825 --> 00:07:05,493
IT WAS YOUR FAULT.

299
00:07:05,493 --> 00:07:06,326
SHE DIDN'T WANT THAT,

300
00:07:06,326 --> 00:07:07,895
SO WE GOT TO FIGURE OUT

301
00:07:07,895 --> 00:07:09,229
WHAT WE CAN DO TO CLEAN THAT UP.

302
00:07:09,229 --> 00:07:09,897
I KNOW I SHOULDN'T

303
00:07:09,897 --> 00:07:10,564
BE FIGHTING.

304
00:07:10,564 --> 00:07:11,732
I'M WRONG FOR DOING THAT.

305
00:07:11,732 --> 00:07:12,500
I SHOULD HAVE NEVER

306
00:07:12,500 --> 00:07:13,501
PUT MY HANDS ON HER.

307
00:07:13,501 --> 00:07:15,503
BUT...

308
00:07:17,104 --> 00:07:18,038
BEING FROM THE STREETS

309
00:07:18,038 --> 00:07:18,839
WHERE I'M FROM,

310
00:07:18,839 --> 00:07:20,107
YOU LEARN TO GRAB WHAT YOU WANT

311
00:07:20,107 --> 00:07:21,374
BEFORE IT'S TAKEN AWAY FROM YOU.

312
00:07:21,374 --> 00:07:22,209
AND I SEEN THIS BITCH,

313
00:07:22,209 --> 00:07:22,910
CHE' MACK, TRYING TO GET

314
00:07:22,910 --> 00:07:24,211
IN THE STUDIO WITH MY MANAGER

315
00:07:24,211 --> 00:07:25,412
AND MY "SUPPOSED TO BE" MAN,

316
00:07:25,412 --> 00:07:27,114
AND ALL I SEEN WAS RED.

317
00:07:27,114 --> 00:07:29,016
I KNOW I WAS WRONG,

318
00:07:29,016 --> 00:07:30,417
BUT I GOT TO PROTECT MYSELF

319
00:07:30,417 --> 00:07:32,019
AND MY CAREER.

320
00:07:32,019 --> 00:07:32,786
YOU HAVE TO SIT DOWN

321
00:07:32,786 --> 00:07:33,521
WITH CHE'.

322
00:07:33,521 --> 00:07:35,288
COME ON, BE NICE.

323
00:07:35,288 --> 00:07:36,557
DON'T--DON'T SAY HER NAME

324
00:07:36,557 --> 00:07:38,992
LIKE YOU DOWN WITH HER...

325
00:07:38,992 --> 00:07:39,727
I'M DOWN WITH YOU.

326
00:07:39,727 --> 00:07:40,694
'CAUSE THEN IT'S GONNA BE--

327
00:07:40,694 --> 00:07:43,163
* THE PUERTO RICAN PRINCESS

328
00:07:43,163 --> 00:07:44,364
STEVIE, LISTEN.

329
00:07:44,364 --> 00:07:46,534
I WILL APOLOGIZE TO THIS GIRL,

330
00:07:46,534 --> 00:07:48,101
BUT I DON'T WANT NO SHENANIGANS

331
00:07:48,101 --> 00:07:49,069
OUT OF YOU.

332
00:07:49,069 --> 00:07:50,037
AND LET ME FIND OUT

333
00:07:50,037 --> 00:07:51,338
YOU SMASHING HER,

334
00:07:51,338 --> 00:07:52,105
AND I'M GONNA SMASH

335
00:07:52,105 --> 00:07:53,807
YOUR [bleep] HEAD OPEN.

336
00:07:53,807 --> 00:07:55,042
I'M SERIOUS, STEVIE.

337
00:07:55,042 --> 00:07:55,909
YOU NEED TO KEEP YOUR [bleep]

338
00:07:55,909 --> 00:07:57,044
IN YOUR PANTS.

339
00:07:57,044 --> 00:07:58,011
IT IS.

340
00:07:58,011 --> 00:07:58,979
I'M ONLY APOLOGIZING

341
00:07:58,979 --> 00:07:59,747
'CAUSE I WAS WRONG.

342
00:07:59,747 --> 00:08:02,215
BE NICE.

343
00:08:02,215 --> 00:08:03,116
ALL RIGHT, SEE IF WE CAN GET

344
00:08:03,116 --> 00:08:03,951
SOME MORE OIL RIGHT HERE.

345
00:08:03,951 --> 00:08:04,652
YEAH.

346
00:08:04,652 --> 00:08:05,553
AND WE'LL BE READY TO SHOOT.

347
00:08:05,553 --> 00:08:06,554
OKAY, PERFECT.

348
00:08:06,554 --> 00:08:08,088
YEAH, LET'S DO IT.

349
00:08:08,088 --> 00:08:10,758
LET'S DO IT.

350
00:08:10,758 --> 00:08:13,460
I'M FREEZING.

351
00:08:13,460 --> 00:08:16,029
MM.

352
00:08:16,029 --> 00:08:17,464
* STICK YOUR CHEST OUT

353
00:08:17,464 --> 00:08:19,800
♪ STICK YOUR CHEST OUT

354
00:08:19,800 --> 00:08:20,668
♪ WE GOIN' BAD ♪

355
00:08:20,668 --> 00:08:21,569
♪ YOU SHOULD GO

356
00:08:21,569 --> 00:08:22,369
♪ STICK YOUR CHEST OUT

357
00:08:22,369 --> 00:08:23,336
♪ WE GOIN' BAD ♪

358
00:08:23,336 --> 00:08:24,004
♪ YOU SHOULD GO

359
00:08:24,004 --> 00:08:25,072
♪ STICK YOUR CHEST OUT

360
00:08:25,072 --> 00:08:25,939
♪ WE GOIN' BAD ♪

361
00:08:25,939 --> 00:08:26,607
♪ YOU SHOULD GO

362
00:08:26,607 --> 00:08:27,641
♪ STICK YOUR CHEST OUT

363
00:08:27,641 --> 00:08:28,341
♪ WE GOIN' BAD ♪

364
00:08:28,341 --> 00:08:29,142
♪ YOU SHOULD GO

365
00:08:29,142 --> 00:08:31,144
♪ STICK YOUR CHEST OUT

366
00:08:32,145 --> 00:08:34,347
♪

367
00:08:34,347 --> 00:08:35,282
DID I EVER TAKE A SHOT

368
00:08:35,282 --> 00:08:35,983
AT MIMI?

369
00:08:35,983 --> 00:08:36,784
BUT DO YOU FEEL LIKE YOU

370
00:08:36,784 --> 00:08:37,651
OWE HER AN APOLOGY FOR--

371
00:08:37,651 --> 00:08:38,919
I DON'T OWE HER [bleep].

372
00:08:38,919 --> 00:08:39,853
SHE DON'T ROCK WITH ME

373
00:08:39,853 --> 00:08:41,088
THE SAME WAY I ROCK WITH HER.

374
00:08:41,088 --> 00:08:42,089
AND I CAN'T PLAY.

375
00:08:42,089 --> 00:08:42,923
AND I CAN'T BE HER FRIEND

376
00:08:42,923 --> 00:08:43,624
NO MORE.

377
00:08:43,624 --> 00:08:44,391
[camera shutter clicking]

378
00:08:44,391 --> 00:08:45,593
NICE.

379
00:08:45,593 --> 00:08:47,260
THIS LOOKS WAY OVER BUDGET.

380
00:08:47,260 --> 00:08:48,596
I DON'T WANT THE SAME OLD

381
00:08:48,596 --> 00:08:49,329
RASHEEDA LOOK.

382
00:08:49,329 --> 00:08:50,598
BUT IF I SAY WAIT, YOU WAIT.

383
00:08:50,598 --> 00:08:51,464
HOW LONG YOU WANT TO WAIT,

384
00:08:51,464 --> 00:08:53,466
TILL I'M A [bleep] WHALE?

385
00:09:03,243 --> 00:09:03,944
HELLO.

386
00:09:03,944 --> 00:09:05,145
[laughter]

387
00:09:05,145 --> 00:09:06,313
GODDAMN.

388
00:09:06,313 --> 00:09:07,881
HI, FIRECRACKER.

389
00:09:07,881 --> 00:09:08,849
WHAT UP, BABY?

390
00:09:08,849 --> 00:09:10,117
IT'S SO GOOD TO BE BACK

391
00:09:10,117 --> 00:09:11,685
IN THE "A" AFTER ALL THE DRAMA

392
00:09:11,685 --> 00:09:12,620
UP NORTH.

393
00:09:12,620 --> 00:09:13,921
BUT IT'S BUSINESS FIRST.

394
00:09:13,921 --> 00:09:14,955
AND I REALLY NEED TO SIT DOWN

395
00:09:14,955 --> 00:09:17,124
WITH K. BECAUSE SHE GOT PHYSICAL

396
00:09:17,124 --> 00:09:18,291
WITH MY FRIEND

397
00:09:18,291 --> 00:09:19,660
AND THAT'S A PROBLEM,

398
00:09:19,660 --> 00:09:21,161
SO I REALLY WANTED TO STRAIGHTEN

399
00:09:21,161 --> 00:09:21,995
THIS [bleep] OUT.

400
00:09:21,995 --> 00:09:22,963
OKAY, WHAT WE GONNA DO?

401
00:09:22,963 --> 00:09:24,297
WE GONNA HAVE A REAL TALK.

402
00:09:24,297 --> 00:09:26,033
I KNEW YOU CARED.

403
00:09:26,033 --> 00:09:27,367
SO FOR THAT TO HAPPEN...

404
00:09:27,367 --> 00:09:28,035
YEAH.

405
00:09:28,035 --> 00:09:29,302
IT WAS LIKE,

406
00:09:29,302 --> 00:09:30,203
"I'M SORRY, WHAT?"

407
00:09:30,203 --> 00:09:31,204
LET ME JUST SAY THIS

408
00:09:31,204 --> 00:09:33,006
FOR FUTURE REFERENCE.

409
00:09:33,006 --> 00:09:34,842
NEVER BRING SOMEONE

410
00:09:34,842 --> 00:09:36,877
TO MY PLACE WHERE I'M DOING

411
00:09:36,877 --> 00:09:37,911
SOMETHING LIKE THAT.

412
00:09:37,911 --> 00:09:40,113
NOTHING WAS GOING TO BE SOLVED

413
00:09:40,113 --> 00:09:41,548
THAT NIGHT WITH ME AND MIMI,

414
00:09:41,548 --> 00:09:42,515
PERIOD.

415
00:09:42,515 --> 00:09:44,084
AND I'M ALWAYS SO WORRIED

416
00:09:44,084 --> 00:09:45,953
ABOUT IF MIMI GOOD, MIMI GOOD.

417
00:09:45,953 --> 00:09:47,054
THAT WAS MY ONE NIGHT

418
00:09:47,054 --> 00:09:47,888
TO BE SELFISH.

419
00:09:47,888 --> 00:09:49,022
I JUST FEEL LIKE YOU GUYS

420
00:09:49,022 --> 00:09:50,290
COULD HAVE TALKED ABOUT THAT

421
00:09:50,290 --> 00:09:51,659
IN A MANNER TO WHERE--

422
00:09:51,659 --> 00:09:52,893
IT WASN'T THE TIME.

423
00:09:52,893 --> 00:09:54,127
I DIDN'T CARE ABOUT HOW MIMI

424
00:09:54,127 --> 00:09:54,895
WAS FEELING.

425
00:09:54,895 --> 00:09:56,229
I REALLY DO BELIEVE THAT--

426
00:09:56,229 --> 00:09:57,130
WELL, DO YOU FEEL LIKE YOU

427
00:09:57,130 --> 00:09:57,998
OWE HER AN APOLOGY FOR--

428
00:09:57,998 --> 00:09:59,733
I DON'T OWE HER [bleep].

429
00:09:59,733 --> 00:10:00,668
K., YOU SAID A LOT

430
00:10:00,668 --> 00:10:01,268
OF MEAN THINGS TOO.

431
00:10:01,268 --> 00:10:02,736
I DON'T CARE.

432
00:10:02,736 --> 00:10:04,204
SHE SHOULDN'T HAVE SHOWED UP.

433
00:10:04,204 --> 00:10:06,106
BUT IF I REALLY WANTED TO FIGHT,

434
00:10:06,106 --> 00:10:07,007
I JUST WOULD'VE FOUGHT.

435
00:10:07,007 --> 00:10:07,675
NO.

436
00:10:07,675 --> 00:10:08,508
I BOPPED HER

437
00:10:08,508 --> 00:10:09,176
WITH THE FLOWERS,

438
00:10:09,176 --> 00:10:09,877
'CAUSE THAT WAS LIKE

439
00:10:09,877 --> 00:10:11,111
A "BITCH, WAKE UP" SLAP.

440
00:10:11,111 --> 00:10:12,012
"BITCH, STOP BEING

441
00:10:12,012 --> 00:10:12,746
[bleep] DRUNK.

442
00:10:12,746 --> 00:10:14,247
BITCH, THIS MAN IS USING YOU.

443
00:10:14,247 --> 00:10:15,582
BITCH, THIS WHAT IT IS."

444
00:10:15,582 --> 00:10:16,283
NO, NO.

445
00:10:16,283 --> 00:10:17,417
I'M REAL BIG ON RUN UP,

446
00:10:17,417 --> 00:10:18,118
GET DONE UP,

447
00:10:18,118 --> 00:10:19,286
TALK [bleep] TO GET HIT.

448
00:10:19,286 --> 00:10:20,888
THAT'S WHAT I BELIEVE.

449
00:10:20,888 --> 00:10:21,955
K.MICHELLE ISN'T THE TYPE

450
00:10:21,955 --> 00:10:23,423
OF PERSON TO LET ANYONE

451
00:10:23,423 --> 00:10:24,658
DO ANYTHING TO HER,

452
00:10:24,658 --> 00:10:26,559
SO IF MIMI WANTS TO COME FOR ME,

453
00:10:26,559 --> 00:10:27,761
THEN I'MA COME FOR HER.

454
00:10:27,761 --> 00:10:28,461
IF SHE STARTS IT,

455
00:10:28,461 --> 00:10:29,529
I FINISH IT.

456
00:10:29,529 --> 00:10:30,530
SHE DON'T ROCK WITH ME

457
00:10:30,530 --> 00:10:31,732
THE SAME WAY I ROCK WITH HER.

458
00:10:31,732 --> 00:10:32,766
AND I CAN'T PLAY.

459
00:10:32,766 --> 00:10:33,533
AND I CAN'T BE HER FRIEND

460
00:10:33,533 --> 00:10:34,234
NO MORE.

461
00:10:34,234 --> 00:10:35,102
DO YOU THINK THAT YOU

462
00:10:35,102 --> 00:10:35,969
COULD'VE JUST HANDLED THAT

463
00:10:35,969 --> 00:10:36,670
DIFFERENTLY?

464
00:10:36,670 --> 00:10:38,405
NO, BECAUSE--WHY--THIS WHY--

465
00:10:38,405 --> 00:10:40,207
WITH HER, NOT NIKKO.

466
00:10:40,207 --> 00:10:41,041
WITH HER.

467
00:10:41,041 --> 00:10:42,075
DID I EVER TAKE A SHOT

468
00:10:42,075 --> 00:10:43,043
AT MIMI UNTIL SHE

469
00:10:43,043 --> 00:10:43,711
SAID SOMETHING?

470
00:10:43,711 --> 00:10:45,078
SHE TOOK DIRECT SHOTS AT ME.

471
00:10:45,078 --> 00:10:46,479
I WAS TALKING ABOUT NIKKO.

472
00:10:46,479 --> 00:10:47,214
YOU DIDN'T SAY

473
00:10:47,214 --> 00:10:47,915
ANYTHING BAD...

474
00:10:47,915 --> 00:10:49,382
[together] ABOUT HER.

475
00:10:49,382 --> 00:10:50,317
I WOULD NEVER DO HER

476
00:10:50,317 --> 00:10:51,018
LIKE THAT.

477
00:10:51,018 --> 00:10:51,752
BUT THAT'S SOMEBODY

478
00:10:51,752 --> 00:10:53,086
THAT SHE'S SLEEPING WITH.

479
00:10:53,086 --> 00:10:53,787
SLEEPING WITH?

480
00:10:53,787 --> 00:10:54,855
YOU CAN'T EVEN SAY "LOVE."

481
00:10:54,855 --> 00:10:55,756
DO YOU THINK SHE LOVE HIM?

482
00:10:55,756 --> 00:10:56,824
ABSOLUTELY NOT.

483
00:10:56,824 --> 00:10:58,225
FIRST SHE GO FROM STEVIE.

484
00:10:58,225 --> 00:10:59,526
NOW SHE ON HIS BUS.

485
00:10:59,526 --> 00:11:01,128
NOW SHE ON THE PINK BUS.

486
00:11:01,128 --> 00:11:03,797
AND MY BELIEF IS THAT THIS MAN

487
00:11:03,797 --> 00:11:04,564
IS NOT RIGHT.

488
00:11:04,564 --> 00:11:05,265
I JUST WANT EVERYBODY

489
00:11:05,265 --> 00:11:06,099
TO GET ALONG.

490
00:11:06,099 --> 00:11:06,767
NO, WE GOOD.

491
00:11:06,767 --> 00:11:07,500
[growls]

492
00:11:07,500 --> 00:11:08,235
WE GOOD.

493
00:11:08,235 --> 00:11:09,369
I AIN'T GOT NO PROBLEM WITH HER.

494
00:11:09,369 --> 00:11:10,303
I WANT HER TO BE HAPPY.

495
00:11:10,303 --> 00:11:12,172
I HOPE THE BOY DO RIGHT.

496
00:11:12,172 --> 00:11:13,306
BUT I THANK YOU

497
00:11:13,306 --> 00:11:14,474
FOR BEING AT THAT SHOW,

498
00:11:14,474 --> 00:11:15,575
FOR BEING ABLE TO SHARE

499
00:11:15,575 --> 00:11:16,744
THAT MOMENT WITH ME.

500
00:11:16,744 --> 00:11:18,545
THAT--THAT MEANT A LOT TO FAMILY

501
00:11:18,545 --> 00:11:20,413
AND SUPPORTERS.

502
00:11:20,413 --> 00:11:21,648
YOU DID GREAT.

503
00:11:21,648 --> 00:11:22,649
I WILL SAY THAT.

504
00:11:22,649 --> 00:11:23,751
I DON'T KNOW WHY ME AND YOU

505
00:11:23,751 --> 00:11:24,918
CAN ALWAYS HAVE A CONVERSATION.

506
00:11:24,918 --> 00:11:25,786
YOU ARE THE ONE PERSON

507
00:11:25,786 --> 00:11:26,754
I CAN HAVE A CONVERSATION WITH.

508
00:11:26,754 --> 00:11:28,756
[laughs]

509
00:11:36,096 --> 00:11:37,064
I REALLY DIDN'T GET A CHANCE

510
00:11:37,064 --> 00:11:37,765
TO TALK TO ERICA

511
00:11:37,765 --> 00:11:38,665
AT THE FASHION SHOW,

512
00:11:38,665 --> 00:11:40,400
SO I INVITED HER ON A PLAYDATE.

513
00:11:40,400 --> 00:11:41,168
OUR KIDS ARE AROUND

514
00:11:41,168 --> 00:11:41,902
THE SAME AGE,

515
00:11:41,902 --> 00:11:42,770
AND SHE'S ANOTHER MOTHER

516
00:11:42,770 --> 00:11:44,204
I CAN TALK TO, SO THIS IS

517
00:11:44,204 --> 00:11:45,038
A GREAT CHANCE TO GET TO KNOW

518
00:11:45,038 --> 00:11:45,773
HER BETTER.

519
00:11:45,773 --> 00:11:47,107
WHAT HAVE YOU BEEN UP TO?

520
00:11:47,107 --> 00:11:47,908
WORKING.

521
00:11:47,908 --> 00:11:48,641
THAT'S IT, WORKING.

522
00:11:48,641 --> 00:11:49,309
SAME HERE.

523
00:11:49,309 --> 00:11:50,110
I HEARD YOU WAS OPENING

524
00:11:50,110 --> 00:11:50,811
A STORE.

525
00:11:50,811 --> 00:11:53,213
YEAH, MYSELF AND MY SON'S

526
00:11:53,213 --> 00:11:54,815
FATHER, BIG DREW, WERE GONNA

527
00:11:54,815 --> 00:11:55,949
OPEN A SNEAKER STORE TOGETHER,

528
00:11:55,949 --> 00:11:57,785
BUT IT WENT TO THE LEFT,

529
00:11:57,785 --> 00:11:58,451
THE RIGHT.

530
00:11:58,451 --> 00:12:00,087
IT WENT UPSIDE DOWN, INSIDE OUT.

531
00:12:00,087 --> 00:12:00,888
YOU KNOW WHAT, [bleep]...

532
00:12:00,888 --> 00:12:01,554
WHAT HAPPENED?

533
00:12:01,554 --> 00:12:03,390
LIKE, ONE OF THE PARTNERS...

534
00:12:03,390 --> 00:12:04,324
UH-HUH.

535
00:12:04,324 --> 00:12:07,127
ENDED UP BEING A CON ARTIST.

536
00:12:07,127 --> 00:12:08,195
YEAH, SO WE'RE DOING

537
00:12:08,195 --> 00:12:08,896
WHAT WE GOT TO DO

538
00:12:08,896 --> 00:12:09,696
TO GET THE MONEY BACK,

539
00:12:09,696 --> 00:12:10,597
BUT IT'S STILL HARD.

540
00:12:10,597 --> 00:12:11,531
AND I WAS HOPING THE STORE

541
00:12:11,531 --> 00:12:12,365
WOULD OPEN TO KEEP HIM HERE...

542
00:12:12,365 --> 00:12:13,066
MM-HMM.

543
00:12:13,066 --> 00:12:13,801
SO HE DIDN'T HAVE

544
00:12:13,801 --> 00:12:14,434
TO GO BACK ON TOUR.

545
00:12:14,434 --> 00:12:15,803
HE CAN, YOU KNOW, BE A DAD

546
00:12:15,803 --> 00:12:17,037
AND HELP ME OUT MORE.

547
00:12:17,037 --> 00:12:17,805
YOU KNOW HOW IT IS,

548
00:12:17,805 --> 00:12:18,571
KIND OF LIKE BEING A SINGLE--

549
00:12:18,571 --> 00:12:19,672
I FEEL LIKE A SINGLE MOTHER.

550
00:12:19,672 --> 00:12:21,208
'CAUSE HE'S NOT HERE.

551
00:12:21,208 --> 00:12:21,875
YEAH.

552
00:12:21,875 --> 00:12:22,542
SO WITH THE STORE

553
00:12:22,542 --> 00:12:24,144
NOT OPENING, IT'S LIKE,

554
00:12:24,144 --> 00:12:24,978
YOU KNOW, YOU GOT TO GO BACK

555
00:12:24,978 --> 00:12:25,946
ON THE ROAD.

556
00:12:25,946 --> 00:12:26,613
WHO DO I TURN TO?

557
00:12:26,613 --> 00:12:27,347
I DON'T HAVE ANY FRIENDS.

558
00:12:27,347 --> 00:12:28,015
I DON'T HAVE ANY FAMILY.

559
00:12:28,015 --> 00:12:29,182
LIKE, WHO DO YOU--

560
00:12:29,182 --> 00:12:29,917
YOU HAVE FAMILY HERE?

561
00:12:29,917 --> 00:12:30,818
YEAH, I'M FROM HERE.

562
00:12:30,818 --> 00:12:31,819
I HAVE FAMILY HERE.

563
00:12:31,819 --> 00:12:32,585
AND, OF COURSE, YOU KNOW,

564
00:12:32,585 --> 00:12:33,586
SCRAPPY'S FROM HERE, YOU KNOW.

565
00:12:33,586 --> 00:12:34,254
RIGHT, ARE YOU GUYS

566
00:12:34,254 --> 00:12:34,922
STILL TOGETHER?

567
00:12:34,922 --> 00:12:36,423
NO, WE'RE NOT TOGETHER.

568
00:12:36,423 --> 00:12:37,257
Y'ALL WAS ENGAGED.

569
00:12:37,257 --> 00:12:39,326
YEAH, WE WERE ENGAGED.

570
00:12:39,326 --> 00:12:40,861
THE ENGAGEMENT'S OFF.

571
00:12:40,861 --> 00:12:42,029
AT THIS POINT, WE'RE JUST REALLY

572
00:12:42,029 --> 00:12:43,964
JUST TRYING TO BE FRIENDS

573
00:12:43,964 --> 00:12:46,033
AND JUST BE AT PEACE, YOU KNOW.

574
00:12:46,033 --> 00:12:48,635
I CAN COMPLETELY UNDERSTAND

575
00:12:48,635 --> 00:12:49,602
ERICA WHEN SHE TELLS ME

576
00:12:49,602 --> 00:12:50,603
SHE WANTS TO BE AT PEACE

577
00:12:50,603 --> 00:12:52,039
WITH HER SON'S FATHER,

578
00:12:52,039 --> 00:12:53,640
THEY WANT TO CO-PARENT,

579
00:12:53,640 --> 00:12:54,842
'CAUSE I'M IN THAT SAME

580
00:12:54,842 --> 00:12:55,876
SITUATION.

581
00:12:55,876 --> 00:12:57,277
DREW PISSES ME OFF

582
00:12:57,277 --> 00:12:58,311
ON A REGULAR BASIS,

583
00:12:58,311 --> 00:12:59,212
SO I GET IT.

584
00:12:59,212 --> 00:13:00,914
IT'S FRUSTRATING SOMETIMES.

585
00:13:00,914 --> 00:13:02,082
HIM--WITH HIM LEAVING,

586
00:13:02,082 --> 00:13:03,283
THAT'S GONNA BE FRUSTRATING.

587
00:13:03,283 --> 00:13:04,117
GROUPIE [bleep]--

588
00:13:04,117 --> 00:13:05,252
I CALL 'EM POPCORN HOS

589
00:13:05,252 --> 00:13:06,619
'CAUSE THEY POP IN AN OUT.

590
00:13:06,619 --> 00:13:08,055
POPCORN HOS,

591
00:13:08,055 --> 00:13:09,189
IT'S FRUSTRATING.

592
00:13:09,189 --> 00:13:10,190
SPEAKING OF THE POPCORN

593
00:13:10,190 --> 00:13:11,324
HOS...

594
00:13:11,324 --> 00:13:12,059
[laughs]

595
00:13:12,059 --> 00:13:14,161
YOU WERE WITH ONE.

596
00:13:14,161 --> 00:13:16,964
SHAY.

597
00:13:16,964 --> 00:13:19,366
SO DO YOU KNOW, YOU KNOW,

598
00:13:19,366 --> 00:13:20,633
HER AND SCRAPPY'S HISTORY?

599
00:13:20,633 --> 00:13:22,102
I KNOW THAT SHE DATED HIM

600
00:13:22,102 --> 00:13:23,670
OFF AND ON.

601
00:13:23,670 --> 00:13:24,872
I DON'T REALLY...

602
00:13:24,872 --> 00:13:26,506
MY ISSUE WITH HER IS,

603
00:13:26,506 --> 00:13:27,540
"YOU KNEW THE WHOLE TIME

604
00:13:27,540 --> 00:13:28,208
ABOUT ME.

605
00:13:28,208 --> 00:13:29,376
YOU KNEW OUR RELATIONSHIP.

606
00:13:29,376 --> 00:13:30,310
YOU KNEW HOW"--

607
00:13:30,310 --> 00:13:31,211
YOU KNOW WHAT I'M SAYING?

608
00:13:31,211 --> 00:13:32,946
LIKE, YOU KNOW, IF YOU GOT

609
00:13:32,946 --> 00:13:34,447
TO CONTINUE TO QUESTION A DUDE

610
00:13:34,447 --> 00:13:36,349
ABOUT HIS BABY MAMA,

611
00:13:36,349 --> 00:13:37,684
YOU KNOW WHERE HIS HEART IS.

612
00:13:37,684 --> 00:13:38,385
Y'ALL NEVER TALK

613
00:13:38,385 --> 00:13:39,086
TO EACH OTHER.

614
00:13:39,086 --> 00:13:39,752
MM-MM.

615
00:13:39,752 --> 00:13:40,888
OKAY, IF Y'ALL WAS

616
00:13:40,888 --> 00:13:41,889
TO ACTUALLY SIT DOWN AND HAVE

617
00:13:41,889 --> 00:13:42,890
A GROWN WOMAN CONVERSATION

618
00:13:42,890 --> 00:13:43,590
WITH EACH OTHER,

619
00:13:43,590 --> 00:13:45,192
THAT CAN GET [bleep] OUT

620
00:13:45,192 --> 00:13:46,093
AND THEN LET IT GO.

621
00:13:46,093 --> 00:13:47,060
OH, WE'RE GONNA HAVE

622
00:13:47,060 --> 00:13:49,162
THE CONVERSATION.

623
00:13:49,162 --> 00:13:50,030
I MEAN, [bleep],

624
00:13:50,030 --> 00:13:51,031
HAVE THE CONVERSATION.

625
00:13:51,031 --> 00:13:51,698
MM-HMM.

626
00:13:51,698 --> 00:13:52,732
OKAY, WELL, GOOD.

627
00:13:52,732 --> 00:13:54,434
GET IT OUT.

628
00:13:54,434 --> 00:13:55,235
[both laugh]

629
00:13:55,235 --> 00:13:56,103
LET THAT [bleep] FREE YOU.

630
00:13:56,103 --> 00:13:57,204
COME ON, JUMP WITH ME.

631
00:13:57,204 --> 00:13:57,905
OKAY, COME ON.

632
00:13:57,905 --> 00:13:59,039
OH, SURE, WE GOING TO JUMP.

633
00:13:59,039 --> 00:14:01,808
WHERE'S MY BOO?

634
00:14:01,808 --> 00:14:02,775
DREW BOO!

635
00:14:02,775 --> 00:14:03,676
[laughter]

636
00:14:03,676 --> 00:14:05,578
IN THE WORLD!

637
00:14:05,578 --> 00:14:07,915
OH, MY GOD!

638
00:14:07,915 --> 00:14:08,916
[pulsing dance music]

639
00:14:08,916 --> 00:14:14,955
♪

640
00:14:14,955 --> 00:14:17,657
* D-O-L-L-A-R

641
00:14:17,657 --> 00:14:22,329
♪ I-N T-H-E 3-A-G, HUH

642
00:14:22,329 --> 00:14:23,931
♪ GONNA BUY A NEW TV

643
00:14:23,931 --> 00:14:25,498
NICE.

644
00:14:25,498 --> 00:14:26,199
BEAUTIFUL.

645
00:14:26,199 --> 00:14:27,234
THAT'S NICE.

646
00:14:27,234 --> 00:14:28,068
TODAY, I AM

647
00:14:28,068 --> 00:14:29,302
IN BOSS CHICK MODE.

648
00:14:29,302 --> 00:14:30,570
IT IS MY PHOTO SHOOT.

649
00:14:30,570 --> 00:14:32,005
I AM DOING THE SHOTS

650
00:14:32,005 --> 00:14:33,106
FOR THREE SINGLES

651
00:14:33,106 --> 00:14:34,574
OFF THE BOSS CHICK MUSIC ALBUM

652
00:14:34,574 --> 00:14:35,442
AND SOME SHOTS

653
00:14:35,442 --> 00:14:37,044
FOR IMBOSSY.COM AS WELL.

654
00:14:37,044 --> 00:14:37,945
NEXT LOOK.

655
00:14:37,945 --> 00:14:38,611
ALL RIGHT.

656
00:14:38,611 --> 00:14:39,346
BAM.

657
00:14:39,346 --> 00:14:41,114
both: ALL RIGHT.

658
00:14:41,114 --> 00:14:41,814
HEY.

659
00:14:41,814 --> 00:14:42,782
I'M MOVING FORWARD,

660
00:14:42,782 --> 00:14:43,616
AND I'M TELLING KIRK

661
00:14:43,616 --> 00:14:44,417
I'M MOVING FORWARD

662
00:14:44,417 --> 00:14:45,418
WITH THIS PREGNANCY,

663
00:14:45,418 --> 00:14:46,453
WITH MY CAREER,

664
00:14:46,453 --> 00:14:47,187
AND I'M DOING IT

665
00:14:47,187 --> 00:14:48,621
WITH OR WITHOUT HIS SUPPORT.

666
00:14:48,621 --> 00:14:49,656
THE MINUTE HE SAYS NO TO ME

667
00:14:49,656 --> 00:14:51,291
IS WHEN I SAY, "HELL, YEAH.

668
00:14:51,291 --> 00:14:52,625
I'M GONNA DO IT MYSELF,

669
00:14:52,625 --> 00:14:53,526
AND I DON'T GIVE A DAMN

670
00:14:53,526 --> 00:14:55,595
IF YOU LIKE IT OR NOT."

671
00:14:55,595 --> 00:14:56,596
WHAT'S UP?

672
00:14:56,596 --> 00:14:57,630
THAT'S WHAT I'M TRYING

673
00:14:57,630 --> 00:14:58,431
TO FIGURE OUT.

674
00:14:58,431 --> 00:14:59,632
WHAT YOU MEAN?

675
00:14:59,632 --> 00:15:01,001
YOU SAID YOU WERE GONNA BE

676
00:15:01,001 --> 00:15:03,603
DOING A QUICK PHOTO SHOOT.

677
00:15:03,603 --> 00:15:04,271
RIGHT.

678
00:15:04,271 --> 00:15:05,973
THIS LOOKS WAY OVER BUDGET.

679
00:15:05,973 --> 00:15:07,607
THIS IS THE FULL MEAL DEAL.

680
00:15:07,607 --> 00:15:08,441
THIS IS NOT WHAT

681
00:15:08,441 --> 00:15:09,142
WE TALKED ABOUT.

682
00:15:09,142 --> 00:15:10,043
WELL, I WANT

683
00:15:10,043 --> 00:15:11,078
A PROFESSIONAL LOOK.

684
00:15:11,078 --> 00:15:12,312
I DON'T WANT THE SAME OLD

685
00:15:12,312 --> 00:15:13,146
RASHEEDA LOOK.

686
00:15:13,146 --> 00:15:13,846
AND ON TOP OF THAT--

687
00:15:13,846 --> 00:15:14,814
THAT'S COOL THAT YOU WANT

688
00:15:14,814 --> 00:15:15,682
A PROFESSIONAL LOOK,

689
00:15:15,682 --> 00:15:16,583
BUT THIS IS COMING OUT

690
00:15:16,583 --> 00:15:17,350
OF THE BUSINESS ACCOUNT.

691
00:15:17,350 --> 00:15:18,051
BUT YOU KNOW WHAT?

692
00:15:18,051 --> 00:15:19,419
I LOOKED AT THE BANK ACCOUNT,

693
00:15:19,419 --> 00:15:20,820
AND I SAID, "IT'S MORE THAN

694
00:15:20,820 --> 00:15:21,554
ENOUGH MONEY IN THERE

695
00:15:21,554 --> 00:15:22,355
FOR ME TO BE ABLE TO PAY

696
00:15:22,355 --> 00:15:23,056
FOR THIS PHOTO SHOOT."

697
00:15:23,056 --> 00:15:24,024
BUT IF I TELL YOU TO WAIT,

698
00:15:24,024 --> 00:15:24,691
YOU WAIT.

699
00:15:24,691 --> 00:15:25,558
YOU DON'T KNOW HOW TO JUGGLE.

700
00:15:25,558 --> 00:15:26,859
BUT IF I SAY WAIT, YOU WAIT.

701
00:15:26,859 --> 00:15:27,660
HOW LONG YOU WANT TO WAIT,

702
00:15:27,660 --> 00:15:29,562
TILL I'M A [bleep] WHALE?

703
00:15:29,562 --> 00:15:30,230
THAT'S SOMETHING

704
00:15:30,230 --> 00:15:31,198
YOU DECIDED TO DO.

705
00:15:31,198 --> 00:15:31,898
I DID IT BY MYSELF?

706
00:15:31,898 --> 00:15:32,632
YEAH, YOU DID.

707
00:15:32,632 --> 00:15:33,566
I GOT MYSELF

708
00:15:33,566 --> 00:15:34,334
KNOCKED UP, OKAY.

709
00:15:34,334 --> 00:15:35,035
I DON'T KNOW.

710
00:15:35,035 --> 00:15:36,736
I HAVE--I REALLY HAVE DOUBTS

711
00:15:36,736 --> 00:15:37,404
ABOUT IT, ANYWAY.

712
00:15:37,404 --> 00:15:38,071
OH, YOU DO?

713
00:15:38,071 --> 00:15:38,738
YES, I DO.

714
00:15:38,738 --> 00:15:40,040
WELL, DOUBT ALL YOU WANT THEN

715
00:15:40,040 --> 00:15:40,873
WITH YOUR SMART MOUTH.

716
00:15:40,873 --> 00:15:42,009
YOU THINK THAT'S FUNNY?

717
00:15:42,009 --> 00:15:42,675
YOU THINK THAT [bleep]--

718
00:15:42,675 --> 00:15:43,343
DOES IT LOOK LIKE

719
00:15:43,343 --> 00:15:44,444
I'M BEING FUNNY?

720
00:15:44,444 --> 00:15:45,112
YOU PROBABLY SAYING

721
00:15:45,112 --> 00:15:45,778
THAT [bleep] TO ME

722
00:15:45,778 --> 00:15:46,579
'CAUSE THAT'S SOME [bleep]

723
00:15:46,579 --> 00:15:47,280
YOU DOING.

724
00:15:47,280 --> 00:15:48,015
I DON'T DO THAT.

725
00:15:48,015 --> 00:15:49,516
I MIGHT BE A LOT OF THINGS,

726
00:15:49,516 --> 00:15:51,551
BUT A CHEATING-ASS WOMAN,

727
00:15:51,551 --> 00:15:53,020
A CHEATING-ASS WIFE

728
00:15:53,020 --> 00:15:53,920
AIN'T ONE OF 'EM.

729
00:15:53,920 --> 00:15:55,222
SO CHECK YOUR DAMN SELF

730
00:15:55,222 --> 00:15:56,689
AND CHECK YOUR OWN INSECURITIES.

731
00:15:56,689 --> 00:15:57,390
SAVE THAT [bleep]

732
00:15:57,390 --> 00:15:58,425
FOR SOMEBODY ELSE.

733
00:15:58,425 --> 00:16:00,327
AT THE END OF THE DAY,

734
00:16:00,327 --> 00:16:01,328
THAT RIGHT THERE,

735
00:16:01,328 --> 00:16:02,695
WE WILL NEED A BLOOD TEST,

736
00:16:02,695 --> 00:16:04,064
BECAUSE, YES, I DO HAVE THINGS

737
00:16:04,064 --> 00:16:04,931
ON MY MIND THAT I DON'T BELIEVE.

738
00:16:04,931 --> 00:16:06,299
YOU ARE JOKING, RIGHT?

739
00:16:06,299 --> 00:16:07,034
YOU PLAYING WITH ME

740
00:16:07,034 --> 00:16:07,734
RIGHT NOW WITH THAT, RIGHT?

741
00:16:07,734 --> 00:16:08,568
WHY--WHY IS IT A JOKE?

742
00:16:08,568 --> 00:16:09,402
SO WHAT YOU THINK?

743
00:16:09,402 --> 00:16:11,238
I'M [bleep] AROUND?

744
00:16:11,238 --> 00:16:11,938
WHAT ARE THE RAPPERS

745
00:16:11,938 --> 00:16:13,040
KNOWN FOR?

746
00:16:13,040 --> 00:16:13,673
YOU'RE A RAPPER, RIGHT?

747
00:16:13,673 --> 00:16:14,707
WHAT ARE DUDES KNOWN FOR?

748
00:16:14,707 --> 00:16:15,375
I'M NOT THE ONE

749
00:16:15,375 --> 00:16:16,043
COMING IN THE HOUSE

750
00:16:16,043 --> 00:16:17,177
AT 3:00 OR 4:00 IN THE MORNING

751
00:16:17,177 --> 00:16:18,578
EVERY OTHER [bleep] NIGHT.

752
00:16:18,578 --> 00:16:19,312
A BLOOD TEST--

753
00:16:19,312 --> 00:16:20,047
YOU WANT A BLOOD TEST?

754
00:16:20,047 --> 00:16:21,214
I'LL SHOW YOU A BLOOD TEST

755
00:16:21,214 --> 00:16:21,914
ALL RIGHT.

756
00:16:21,914 --> 00:16:22,615
I'LL TELL YOU WHAT.

757
00:16:22,615 --> 00:16:24,184
THE GREAT THING FOR YOU IS,

758
00:16:24,184 --> 00:16:25,518
YOU STILL AT THE STAGE

759
00:16:25,518 --> 00:16:26,753
WHERE YOU CAN "X" THAT

760
00:16:26,753 --> 00:16:28,321
RIGHT THERE OUT THE PICTURE.

761
00:16:28,321 --> 00:16:29,056
OKAY, IT'S TIME

762
00:16:29,056 --> 00:16:29,722
FOR YOU TO LEAVE.

763
00:16:29,722 --> 00:16:30,423
AND REALLY...

764
00:16:30,423 --> 00:16:31,158
IT'S TIME FOR YOU TO GO.

765
00:16:31,158 --> 00:16:32,325
IF YOU KNOW WHAT I KNOW

766
00:16:32,325 --> 00:16:33,160
OR WHAT I HEARD...

767
00:16:33,160 --> 00:16:33,826
YOU READY

768
00:16:33,826 --> 00:16:34,527
FOR THE NEXT OUTFIT?

769
00:16:34,527 --> 00:16:35,462
BECAUSE YOU KNOW WHAT?

770
00:16:35,462 --> 00:16:36,296
YOU FULL OF [bleep] WITH THAT,

771
00:16:36,296 --> 00:16:37,064
AND I DON'T WANT TO HEAR IT.

772
00:16:37,064 --> 00:16:37,697
WELL, I'M GONNA STAY

773
00:16:37,697 --> 00:16:38,365
FULL OF [bleep],

774
00:16:38,365 --> 00:16:39,399
BUT YOU NEED TO REALLY PUT IT

775
00:16:39,399 --> 00:16:40,067
ON YOUR BRAIN.

776
00:16:40,067 --> 00:16:40,900
NO, I AIN'T PUTTING NOTHING

777
00:16:40,900 --> 00:16:41,568
ON MY BRAIN.

778
00:16:41,568 --> 00:16:42,502
WHAT YOU NEED TO DO

779
00:16:42,502 --> 00:16:44,271
IS BE A FATHER AND MAN UP

780
00:16:44,271 --> 00:16:45,472
AND STOP GOING THROUGH--

781
00:16:45,472 --> 00:16:46,339
I'VE BEEN FATHER.

782
00:16:46,339 --> 00:16:47,907
I ALWAYS DO MY JOB,

783
00:16:47,907 --> 00:16:48,741
SO I AIN'T GOT NO PROBLEMS.

784
00:16:48,741 --> 00:16:49,409
BUT GUESS WHAT.

785
00:16:49,409 --> 00:16:50,510
BE A BETTER HUSBAND.

786
00:16:50,510 --> 00:16:51,211
BE SUPPORTIVE.

787
00:16:51,211 --> 00:16:51,944
I DON'T WANT TO BE

788
00:16:51,944 --> 00:16:53,513
A [bleep] HUSBAND RIGHT NOW.

789
00:16:53,513 --> 00:16:54,247
OH, YOU DON'T?

790
00:16:54,247 --> 00:16:55,348
NO, I DON'T.

791
00:16:55,348 --> 00:16:56,083
WELL, THEN GET

792
00:16:56,083 --> 00:16:57,150
THE [bleep] OUT.

793
00:16:57,150 --> 00:16:58,251
WHY ARE YOU HERE?

794
00:16:58,251 --> 00:16:59,786
BECAUSE YOU'RE WRITING MONEY

795
00:16:59,786 --> 00:17:00,620
OUT OF MY CHECKBOOK.

796
00:17:00,620 --> 00:17:02,089
IT DON'T MATTER.

797
00:17:02,089 --> 00:17:03,990
BYE.

798
00:17:03,990 --> 00:17:05,992
LET'S GO.

799
00:17:09,196 --> 00:17:09,862
WE WANT TO MAKE SURE

800
00:17:09,862 --> 00:17:10,730
YOU'RE NOT FOCUSING ON BEEFING

801
00:17:10,730 --> 00:17:11,398
WITH PEOPLE.

802
00:17:11,398 --> 00:17:12,599
THESE INCIDENTS

803
00:17:12,599 --> 00:17:14,667
ARE DIMINISHING YOUR BRAND.

804
00:17:14,667 --> 00:17:15,568
I DON'T WANT TO LET

805
00:17:15,568 --> 00:17:16,469
MY FANS OUT THERE--

806
00:17:16,469 --> 00:17:18,271
I DON'T WANT TO LET THEM DOWN.

807
00:17:18,271 --> 00:17:19,472
SCRAPPY AND ERICA,

808
00:17:19,472 --> 00:17:20,640
THEY NOT TOGETHER NO MORE.

809
00:17:20,640 --> 00:17:21,574
Y'ALL BEEN HANGING OUT?

810
00:17:21,574 --> 00:17:22,509
WE HUNG OUT.

811
00:17:22,509 --> 00:17:23,376
YOU HUNG OUT?

812
00:17:23,376 --> 00:17:24,311
YOU KNOW WHAT?

813
00:17:24,311 --> 00:17:25,945
I GOT TO SOMEHOW

814
00:17:25,945 --> 00:17:27,947
JUST CUT IT OFF.

815
00:17:37,657 --> 00:17:39,292
SO WHAT YOU DOING LAST NIGHT?

816
00:17:39,292 --> 00:17:41,128
[laughs]

817
00:17:41,128 --> 00:17:42,129
I WAS HOME.

818
00:17:42,129 --> 00:17:42,929
OKAY.

819
00:17:42,929 --> 00:17:44,231
I MADE ME SOME LOBSTER

820
00:17:44,231 --> 00:17:45,432
AND SOME SHRIMP.

821
00:17:45,432 --> 00:17:46,566
YOU WEREN'T WATCHING NO PORN?

822
00:17:46,566 --> 00:17:47,267
I'M JUST KIDDING.

823
00:17:47,267 --> 00:17:48,135
NAH, I WASN'T WATCHING--

824
00:17:48,135 --> 00:17:49,502
NOT LAST NIGHT.

825
00:17:49,502 --> 00:17:51,338
I DON'T WATCH PORN BY MYSELF.

826
00:17:51,338 --> 00:17:52,539
YOU BETTER NOT BE.

827
00:17:52,539 --> 00:17:54,441
AS BAD AS I MAY BE SOMETIMES,

828
00:17:54,441 --> 00:17:55,508
I WAS WRONG FOR PUTTING MY HANDS

829
00:17:55,508 --> 00:17:56,376
ON CHE' MACK.

830
00:17:56,376 --> 00:17:57,744
AS LONG AS STEVIE

831
00:17:57,744 --> 00:17:59,045
DON'T WORK WITH CHE' MACK

832
00:17:59,045 --> 00:18:00,647
BEFORE FINISHING MY [bleep],

833
00:18:00,647 --> 00:18:01,548
I'M GONNA APOLOGIZE

834
00:18:01,548 --> 00:18:03,416
TO THIS BRACE-FACED BITCH.

835
00:18:03,416 --> 00:18:04,151
HEY.

836
00:18:04,151 --> 00:18:04,917
WHAT'S UP, MA?

837
00:18:04,917 --> 00:18:05,585
HI, CHE'.

838
00:18:05,585 --> 00:18:06,253
HI.

839
00:18:06,253 --> 00:18:07,320
I KNOW YOU PROBABLY HATE ME.

840
00:18:07,320 --> 00:18:08,188
I LIKE YOUR FOXY FUR.

841
00:18:08,188 --> 00:18:08,855
THANK YOU.

842
00:18:08,855 --> 00:18:09,556
YOU ALL RIGHT?

843
00:18:09,556 --> 00:18:10,757
YEAH, I'M GOOD.

844
00:18:10,757 --> 00:18:11,791
EVERYTHING GOOD.

845
00:18:11,791 --> 00:18:12,459
FIRST AND FOREMOST,

846
00:18:12,459 --> 00:18:14,161
I WANT TO APOLOGIZE TO YOU.

847
00:18:14,161 --> 00:18:14,827
ONE THING ABOUT ME,

848
00:18:14,827 --> 00:18:15,595
WHEN I'M WRONG,

849
00:18:15,595 --> 00:18:16,329
I'M GONNA SAY I'M WRONG.

850
00:18:16,329 --> 00:18:17,530
AND I'M SORRY FOR DOING THAT,

851
00:18:17,530 --> 00:18:18,431
'CAUSE I SHOULDN'T DO THAT.

852
00:18:18,431 --> 00:18:19,266
'CAUSE YOU KNOW WHY?

853
00:18:19,266 --> 00:18:20,066
I DON'T WANT NOBODY

854
00:18:20,066 --> 00:18:21,301
PUTTING THEIR HANDS ON ME.

855
00:18:21,301 --> 00:18:22,702
SO I APOLOGIZE FOR DOING THAT.

856
00:18:22,702 --> 00:18:23,403
THAT WAS MY BAD.

857
00:18:23,403 --> 00:18:24,171
I'M SORRY.

858
00:18:24,171 --> 00:18:25,037
I SHOULDN'T HAVE DID THAT.

859
00:18:25,037 --> 00:18:25,772
LIKE, I JUST DON'T

860
00:18:25,772 --> 00:18:26,673
UNDERSTAND.

861
00:18:26,673 --> 00:18:28,040
WHY CAN'T HE WORK WITH ME?

862
00:18:28,040 --> 00:18:29,176
'CAUSE I KNOW YOU WORK

863
00:18:29,176 --> 00:18:30,177
WITH OTHER PEOPLE.

864
00:18:30,177 --> 00:18:30,877
Y'ALL GOING TO WORK

865
00:18:30,877 --> 00:18:31,544
WITH OTHER PEOPLE.

866
00:18:31,544 --> 00:18:32,345
LISTEN, TRUST ME.

867
00:18:32,345 --> 00:18:33,079
I DON'T MIND HIM WORKING

868
00:18:33,079 --> 00:18:33,780
WITH NOBODY ELSE,

869
00:18:33,780 --> 00:18:35,182
'CAUSE YOU KNOW WHY?

870
00:18:35,182 --> 00:18:36,383
THAT'S HOW HE MAKE HIS MONEY.

871
00:18:36,383 --> 00:18:38,185
MY THING WITH HIM WAS THAT

872
00:18:38,185 --> 00:18:38,985
"YOU FINISH WITH ME FIRST."

873
00:18:38,985 --> 00:18:39,652
DON'T I TELL YOU THIS

874
00:18:39,652 --> 00:18:40,320
ALL THE TIME?

875
00:18:40,320 --> 00:18:41,188
THAT'S WHAT BASICALLY

876
00:18:41,188 --> 00:18:41,821
I WAS TELLING TO HER.

877
00:18:41,821 --> 00:18:43,556
LIKE, I CAN'T EVEN GO AROUND

878
00:18:43,556 --> 00:18:44,791
AND HOLLER AT YOU BECAUSE

879
00:18:44,791 --> 00:18:45,525
ME AND HER HAVE THIS THING.

880
00:18:45,525 --> 00:18:46,193
YEAH.

881
00:18:46,193 --> 00:18:46,959
YOU KNOW WHAT I'M SAYING?

882
00:18:46,959 --> 00:18:48,961
IT'S LIKE LA COSA NOSTRA

883
00:18:48,961 --> 00:18:49,896
THING OF OURS.

884
00:18:49,896 --> 00:18:50,763
AND IF I CAN'T WORK WITH HIM

885
00:18:50,763 --> 00:18:51,431
BECAUSE OF YOU,

886
00:18:51,431 --> 00:18:52,799
THEN IT'S ALL LOVE.

887
00:18:52,799 --> 00:18:53,933
IT'S RESPECT, BUT I'M GONNA KEEP

888
00:18:53,933 --> 00:18:54,767
ON DOING WHAT I'M DOING.

889
00:18:54,767 --> 00:18:56,669
AND HOPEFULLY, Y'ALL COME AROUND

890
00:18:56,669 --> 00:18:57,770
AND SAY, "ALL RIGHT, LOOK.

891
00:18:57,770 --> 00:18:58,905
LET'S [bleep] WITH HER ONE TIME.

892
00:18:58,905 --> 00:18:59,639
LET'S DO A SONG WITH HER.

893
00:18:59,639 --> 00:19:00,307
[bleep] IT."

894
00:19:00,307 --> 00:19:01,808
CAN WE MOVE PAST THIS?

895
00:19:01,808 --> 00:19:02,842
ASK HER. DON'T ASK ME.

896
00:19:02,842 --> 00:19:03,576
LISTEN.

897
00:19:03,576 --> 00:19:04,811
JUST HEAR ME OUT.

898
00:19:04,811 --> 00:19:06,513
I'M LISTENING, CHE'.

899
00:19:06,513 --> 00:19:08,114
IF I WAS MESSING WITH HIM,

900
00:19:08,114 --> 00:19:09,216
I WOULD NOT BE AROUND.

901
00:19:09,216 --> 00:19:10,049
BUT WHY ARE WE STILL TALKING

902
00:19:10,049 --> 00:19:10,717
ABOUT THE SAME THING--

903
00:19:10,717 --> 00:19:11,551
BUT HE AIN'T TELL YOU

904
00:19:11,551 --> 00:19:13,085
ABOUT THE TIME WHEN I GOT

905
00:19:13,085 --> 00:19:14,254
MY HOUSE BROKEN INTO?

906
00:19:14,254 --> 00:19:15,322
AND HE, YEAH, GOT ME THE TV

907
00:19:15,322 --> 00:19:16,623
FOR MY HOUSE.

908
00:19:16,623 --> 00:19:17,524
YOU GOT HER A TV?

909
00:19:17,524 --> 00:19:18,325
YEAH.

910
00:19:18,325 --> 00:19:19,626
OH, I DIDN'T KNOW THIS.

911
00:19:19,626 --> 00:19:20,427
THAT WAS JUST BECAUSE

912
00:19:20,427 --> 00:19:21,093
HE'S MY FRIEND.

913
00:19:21,093 --> 00:19:22,229
WHEN THIS HAPPEN?

914
00:19:22,229 --> 00:19:23,896
THIS WAS A WHILE AGO, BUT--

915
00:19:23,896 --> 00:19:24,631
YOU DID THAT?

916
00:19:24,631 --> 00:19:25,332
OH, OKAY.

917
00:19:25,332 --> 00:19:27,033
BUT JUST LISTEN.

918
00:19:27,033 --> 00:19:28,601
IT AIN'T THAT DEEP.

919
00:19:28,601 --> 00:19:29,269
OKAY.

920
00:19:29,269 --> 00:19:31,371
I'M TRYING TO PLAY IT COOL

921
00:19:31,371 --> 00:19:32,739
WITH STEVIE AND CHE' MACK

922
00:19:32,739 --> 00:19:33,973
AND THE WHOLE SITUATION,

923
00:19:33,973 --> 00:19:35,508
BUT THEN I FIND OUT THIS BITCH

924
00:19:35,508 --> 00:19:36,409
[bleep] WITH STEVIE J.,

925
00:19:36,409 --> 00:19:37,977
TRYING TO PLAY SEXY SANTA CLAUS

926
00:19:37,977 --> 00:19:38,945
FOR ANOTHER BITCH.

927
00:19:38,945 --> 00:19:39,612
AND IT BOTHERS ME.

928
00:19:39,612 --> 00:19:40,713
IT MAKES ME NOT REALLY EVEN

929
00:19:40,713 --> 00:19:41,981
WHAT TO BE WITH YOU EVER.

930
00:19:41,981 --> 00:19:42,715
IT'S STUPID.

931
00:19:42,715 --> 00:19:43,650
IT'S IMMATURE.

932
00:19:43,650 --> 00:19:44,751
THIS BITCH DON'T BRING NO MONEY

933
00:19:44,751 --> 00:19:45,452
TO THE TABLE,

934
00:19:45,452 --> 00:19:46,118
SO I DON'T KNOW

935
00:19:46,118 --> 00:19:47,019
WHAT THE [bleep] YOU'RE DOING.

936
00:19:47,019 --> 00:19:48,288
SO WE'LL MEET AGAIN.

937
00:19:48,288 --> 00:19:49,155
OH, SO YOU ABOUT TO LEAVE?

938
00:19:49,155 --> 00:19:50,257
OH, YEAH, I'M RUNNING.

939
00:19:50,257 --> 00:19:50,890
WHY YOU RUNNING?

940
00:19:50,890 --> 00:19:51,558
YOU GUYS CAN STAY.

941
00:19:51,558 --> 00:19:53,560
I GOT THINGS THAT I HAVE TO DO.

942
00:19:53,560 --> 00:19:54,261
SEE YOU LATER.

943
00:19:54,261 --> 00:19:56,329
ALL RIGHT, SEE YOU LATER.

944
00:19:56,329 --> 00:19:58,398
[whispers] BYE.

945
00:20:03,403 --> 00:20:05,938
[owl hooting]

946
00:20:05,938 --> 00:20:06,973
YOU NERVOUS?

947
00:20:06,973 --> 00:20:08,475
I'M NOT, ACTUALLY.

948
00:20:08,475 --> 00:20:11,010
I GOT A WHOLE LOT GOING ON,

949
00:20:11,010 --> 00:20:11,744
SO I WANT TO SEE

950
00:20:11,744 --> 00:20:12,412
WHAT SHE GONNA SAY,

951
00:20:12,412 --> 00:20:13,680
WHAT SHE GONNA TELL ME.

952
00:20:13,680 --> 00:20:14,381
HI, LADIES.

953
00:20:14,381 --> 00:20:15,282
both: HI.

954
00:20:15,282 --> 00:20:16,283
MY NAME IS REVEREND

955
00:20:16,283 --> 00:20:17,317
PRIESTESS CALISTA,

956
00:20:17,317 --> 00:20:18,885
AND I'LL BE YOUR READER, OKAY?

957
00:20:18,885 --> 00:20:20,453
I'VE BEEN TO PSYCHICS BEFORE.

958
00:20:20,453 --> 00:20:21,688
AND WHEN ERICA TOLD ME

959
00:20:21,688 --> 00:20:22,422
ABOUT THIS PRIESTESS

960
00:20:22,422 --> 00:20:23,390
THAT SHE KNEW ABOUT,

961
00:20:23,390 --> 00:20:24,657
I FIGURE, "WHAT THE HELL,

962
00:20:24,657 --> 00:20:25,525
LET'S GO SEE."

963
00:20:25,525 --> 00:20:26,993
I GOT A LOT OF STUFF

964
00:20:26,993 --> 00:20:27,794
GOING ON IN MY LIFE.

965
00:20:27,794 --> 00:20:28,961
MAYBE THIS LADY COULD GIVE ME

966
00:20:28,961 --> 00:20:30,963
A LITTLE BIT OF INSIGHT.

967
00:20:34,667 --> 00:20:35,702
IN YOUR HOUSE OF FRIENDS

968
00:20:35,702 --> 00:20:37,103
AND FAMILY, IT'S TALKING ABOUT

969
00:20:37,103 --> 00:20:39,238
YOU MOVING, CHANGING YOUR JOB

970
00:20:39,238 --> 00:20:43,276
OR CHANGING YOUR RESIDENCE.

971
00:20:43,276 --> 00:20:44,577
BEFORE, YOU WAS TALKING ABOUT

972
00:20:44,577 --> 00:20:45,778
A LOVE AFFAIR THAT YOU MAY BE

973
00:20:45,778 --> 00:20:47,213
CONCERNED WITH.

974
00:20:47,213 --> 00:20:47,880
DO YOU KNOW WHAT

975
00:20:47,880 --> 00:20:50,750
I'M SPEAKING OF?

976
00:20:50,750 --> 00:20:51,451
YES.

977
00:20:51,451 --> 00:20:53,753
OKAY, SO SHE GOT ME.

978
00:20:53,753 --> 00:20:54,754
I DID JUST MOVE

979
00:20:54,754 --> 00:20:55,955
INTO MY NEW PLACE.

980
00:20:55,955 --> 00:20:57,524
BUT THIS RELATIONSHIP BUSINESS,

981
00:20:57,524 --> 00:20:58,791
IT'S A LITTLE WEIRD.

982
00:20:58,791 --> 00:21:00,493
I'VE HAD MY DOUBTS

983
00:21:00,493 --> 00:21:01,928
ABOUT NIKKO A LITTLE BIT.

984
00:21:01,928 --> 00:21:03,396
I HAD MY EYEBROW RAISED,

985
00:21:03,396 --> 00:21:04,764
BUT I HAVEN'T TOLD ANYONE

986
00:21:04,764 --> 00:21:06,533
ABOUT IT, SO THERE'S NO WAY

987
00:21:06,533 --> 00:21:07,367
THIS LADY COULD KNOW.

988
00:21:07,367 --> 00:21:08,134
AND THE OUTCOME

989
00:21:08,134 --> 00:21:08,935
OF THE READING SAYS THAT

990
00:21:08,935 --> 00:21:10,136
YOU'RE TRYING TO REBUILD

991
00:21:10,136 --> 00:21:11,203
AN OLD RELATIONSHIP

992
00:21:11,203 --> 00:21:12,539
BUT IN A NEW WAY

993
00:21:12,539 --> 00:21:13,873
OR SOMEONE FROM THE PAST

994
00:21:13,873 --> 00:21:15,808
HAS RETURNED TO YOU.

995
00:21:15,808 --> 00:21:17,344
THIS IS A FOOLISH DECISION.

996
00:21:17,344 --> 00:21:19,045
[coughs]

997
00:21:19,045 --> 00:21:19,746
DO YOU KNOW WHAT

998
00:21:19,746 --> 00:21:22,349
I'M SPEAKING OF?

999
00:21:22,349 --> 00:21:25,985
[laughter]

1000
00:21:25,985 --> 00:21:27,720
I SAT AND LOOKED THAT WAY.

1001
00:21:27,720 --> 00:21:29,088
OH, MY GOSH.

1002
00:21:29,088 --> 00:21:29,789
PHEW.

1003
00:21:29,789 --> 00:21:30,457
YES.

1004
00:21:30,457 --> 00:21:31,458
YES?

1005
00:21:31,458 --> 00:21:33,360
CLEARLY.

1006
00:21:33,360 --> 00:21:34,461
AND IT ALSO SAYS HERE

1007
00:21:34,461 --> 00:21:35,227
THAT THIS SITUATION

1008
00:21:35,227 --> 00:21:36,162
IS OVER FOR YOU.

1009
00:21:36,162 --> 00:21:36,963
YOU'RE NOT GONNA GET

1010
00:21:36,963 --> 00:21:38,431
ANY FURTHER WITH IT.

1011
00:21:38,431 --> 00:21:39,599
LET IT GO.

1012
00:21:39,599 --> 00:21:40,467
OKAY, I'M A LITTLE

1013
00:21:40,467 --> 00:21:41,434
UNCOMFORTABLE.

1014
00:21:41,434 --> 00:21:43,770
[snickering]

1015
00:21:43,770 --> 00:21:45,805
I AM READY, GOODNESS.

1016
00:21:45,805 --> 00:21:47,940
I WANT TO ASK ABOUT

1017
00:21:47,940 --> 00:21:49,476
MY FRIENDSHIPS.

1018
00:21:49,476 --> 00:21:51,210
ANY PARTICULAR FRIENDS

1019
00:21:51,210 --> 00:21:52,879
IN PARTICULAR OR JUST OVERALL?

1020
00:21:52,879 --> 00:21:55,047
YES, I WOULD LIKE TO ASK

1021
00:21:55,047 --> 00:21:56,248
ABOUT A GIRLFRIEND

1022
00:21:56,248 --> 00:21:58,017
NAMED K.MICHELLE.

1023
00:21:58,017 --> 00:21:59,185
K.MICHELLE,

1024
00:21:59,185 --> 00:22:02,021
IN HER HEART,

1025
00:22:02,021 --> 00:22:06,225
DOES NOT...

1026
00:22:06,225 --> 00:22:07,394
CARE FOR YOU,

1027
00:22:07,394 --> 00:22:09,662
ALTHOUGH,

1028
00:22:09,662 --> 00:22:14,534
SHE ACTS EXTREMELY

1029
00:22:14,534 --> 00:22:16,569
FRIENDLY, PERIOD.

1030
00:22:16,569 --> 00:22:19,772
DOES THAT MAKE SENSE TO YOU?

1031
00:22:19,772 --> 00:22:20,440
ALL DAY.

1032
00:22:20,440 --> 00:22:21,474
DOES THAT MAKE SENSE TO YOU?

1033
00:22:21,474 --> 00:22:23,910
YOU DON'T KNOW WHAT HAPPENED.

1034
00:22:23,910 --> 00:22:25,545
SHE HIT A COUPLE OF HOME RUNS

1035
00:22:25,545 --> 00:22:26,413
SO FAR.

1036
00:22:26,413 --> 00:22:28,014
K.MICHELLE, SHE HASN'T BEEN

1037
00:22:28,014 --> 00:22:29,015
ACTING TOO FRIENDLY WITH ME

1038
00:22:29,015 --> 00:22:31,451
LATELY, BUT NIKKO?

1039
00:22:31,451 --> 00:22:33,420
THIS IS REALLY FREAKING ME OUT.

1040
00:22:33,420 --> 00:22:34,320
ANY OTHER QUESTIONS?

1041
00:22:34,320 --> 00:22:35,321
MM-MM.

1042
00:22:35,321 --> 00:22:36,923
TAKE GOOD CARE OF YOURSELVES.

1043
00:22:36,923 --> 00:22:37,890
THANK YOU.

1044
00:22:37,890 --> 00:22:38,825
IT WAS MY PLEASURE.

1045
00:22:38,825 --> 00:22:39,992
ALL RIGHT.

1046
00:22:39,992 --> 00:22:42,294
THANK YOU.

1047
00:22:42,294 --> 00:22:44,296
OOH, GIRL.

1048
00:22:50,002 --> 00:22:51,704
I AM SO EXCITED.

1049
00:22:51,704 --> 00:22:53,005
I'M ON CLOUD NINE.

1050
00:22:53,005 --> 00:22:54,907
I'VE SOLD OUT TWO SHOWS

1051
00:22:54,907 --> 00:22:56,643
IN ONE WEEK WITH NO ALBUM,

1052
00:22:56,643 --> 00:22:58,010
NO SINGLE.

1053
00:22:58,010 --> 00:22:58,678
HELLO.

1054
00:22:58,678 --> 00:22:59,345
YOU MADE IT.

1055
00:22:59,345 --> 00:23:00,012
WHAT UP?

1056
00:23:00,012 --> 00:23:01,448
AND MY AandR, ALASKA,

1057
00:23:01,448 --> 00:23:03,149
CALLED ME IN BECAUSE IT'S TIME

1058
00:23:03,149 --> 00:23:03,850
FOR US TO TALK ABOUT

1059
00:23:03,850 --> 00:23:05,818
THE NEXT STEPS IN MY JOURNEY.

1060
00:23:05,818 --> 00:23:06,586
SO WHAT ARE WE DOING?

1061
00:23:06,586 --> 00:23:08,788
SO YOU KNOW,

1062
00:23:08,788 --> 00:23:10,056
THE PROJECT'S COMING OUT,

1063
00:23:10,056 --> 00:23:10,723
WANT TO MAKE SURE

1064
00:23:10,723 --> 00:23:11,858
WE'RE FOCUSED ON THE MUSIC.

1065
00:23:11,858 --> 00:23:12,525
ALL RIGHTY.

1066
00:23:12,525 --> 00:23:13,225
AND WE WANT TO MAKE SURE

1067
00:23:13,225 --> 00:23:14,661
YOU'RE NOT FOCUSING ON TWITTER

1068
00:23:14,661 --> 00:23:15,462
AND MAKE SURE YOU'RE NOT

1069
00:23:15,462 --> 00:23:17,096
FOCUSING ON BEEFING WITH PEOPLE.

1070
00:23:17,096 --> 00:23:18,998
SO WE JUST WANT TO HAVE

1071
00:23:18,998 --> 00:23:19,699
A LITTLE CONVERSATION

1072
00:23:19,699 --> 00:23:21,100
TO SET THINGS UP.

1073
00:23:21,100 --> 00:23:21,868
OKAY.

1074
00:23:21,868 --> 00:23:23,002
WHAT DO YOU THINK IS YOUR

1075
00:23:23,002 --> 00:23:24,737
PERCEPTION IN THE MEDIA OVERALL,

1076
00:23:24,737 --> 00:23:25,538
THE DOMINANT PERCEPTION

1077
00:23:25,538 --> 00:23:26,205
OF K.MICHELLE?

1078
00:23:26,205 --> 00:23:26,873
I THINK PEOPLE THINK

1079
00:23:26,873 --> 00:23:28,775
THAT I'M CRAZY.

1080
00:23:28,775 --> 00:23:29,742
I THINK PEOPLE THINK

1081
00:23:29,742 --> 00:23:30,877
THAT I'M A FIRECRACKER.

1082
00:23:30,877 --> 00:23:31,644
ARE YOU OKAY WITH THAT?

1083
00:23:31,644 --> 00:23:32,879
YEAH.

1084
00:23:32,879 --> 00:23:33,613
[chuckles]

1085
00:23:33,613 --> 00:23:34,481
SO MUCH OF IT

1086
00:23:34,481 --> 00:23:35,081
IS NEGATIVE, THOUGH.

1087
00:23:35,081 --> 00:23:35,748
I DON'T CARE.

1088
00:23:35,748 --> 00:23:36,516
YOU DON'T CARE?

1089
00:23:36,516 --> 00:23:37,717
'CAUSE I KNOW WHO I AM.

1090
00:23:37,717 --> 00:23:38,751
I DON'T CARE.

1091
00:23:38,751 --> 00:23:40,520
BUT WHAT ABOUT THE MUSIC?

1092
00:23:40,520 --> 00:23:42,154
MY MUSIC IS AMAZING.

1093
00:23:42,154 --> 00:23:42,922
THAT WE KNOW.

1094
00:23:42,922 --> 00:23:43,756
YOU'RE A GREAT SINGER,

1095
00:23:43,756 --> 00:23:45,391
A TALENTED SONGWRITER.

1096
00:23:45,391 --> 00:23:46,726
YOU HAVE A NEW LABEL

1097
00:23:46,726 --> 00:23:48,127
SITUATION AT ATLANTIC.

1098
00:23:48,127 --> 00:23:49,562
YOU HAVE A NEW MANAGER.

1099
00:23:49,562 --> 00:23:50,497
YOU HAVE A LOT OF NEW

1100
00:23:50,497 --> 00:23:52,532
SITUATIONS, BUT...

1101
00:23:52,532 --> 00:23:53,399
THE SAME ATTITUDE.

1102
00:23:53,399 --> 00:23:54,200
ATTITUDE.

1103
00:23:54,200 --> 00:23:55,067
EVERYONE'S ALWAYS CHECKING

1104
00:23:55,067 --> 00:23:56,402
OUT WHAT'S THE LATEST GOSSIP,

1105
00:23:56,402 --> 00:23:57,236
WHAT'S THE LATEST BEEF.

1106
00:23:57,236 --> 00:23:59,271
AND YOU AS A ARTIST, AS MUCH

1107
00:23:59,271 --> 00:24:00,006
AS YOU SAY YOU DON'T CARE,

1108
00:24:00,006 --> 00:24:00,973
I KNOW YOU WANT PEOPLE

1109
00:24:00,973 --> 00:24:01,874
TO CARE ABOUT YOUR MUSIC.

1110
00:24:01,874 --> 00:24:02,575
THEY DO.

1111
00:24:02,575 --> 00:24:04,143
THAT'S WHY I SELL OUT SHOWS.

1112
00:24:04,143 --> 00:24:05,845
OKAY, BUT SELLING OUT SHOWS

1113
00:24:05,845 --> 00:24:07,780
AND SELLING--YOU HAVE A SINGLE--

1114
00:24:07,780 --> 00:24:08,881
THEY'RE NOT COMING TO SEE ME

1115
00:24:08,881 --> 00:24:09,882
HIT NOBODY ONSTAGE.

1116
00:24:09,882 --> 00:24:10,783
THEY COME TO HEAR ME SING.

1117
00:24:10,783 --> 00:24:12,619
OKAY, THESE INCIDENTS

1118
00:24:12,619 --> 00:24:14,954
ARE DIMINISHING YOUR BRAND.

1119
00:24:14,954 --> 00:24:16,556
AND INSTEAD OF PEOPLE FOCUSING

1120
00:24:16,556 --> 00:24:17,757
ON YOU, THE TALENT,

1121
00:24:17,757 --> 00:24:19,759
ALL OF THAT IS BEING SUPPRESSED

1122
00:24:19,759 --> 00:24:21,360
BY ALL OF THIS MESS.

1123
00:24:21,360 --> 00:24:22,228
I WANT THEM TO SEE

1124
00:24:22,228 --> 00:24:23,530
THE CARING WOMAN

1125
00:24:23,530 --> 00:24:24,931
WHO WANTS TO BE THE GOOD FRIEND,

1126
00:24:24,931 --> 00:24:26,533
WHO WANTS TO BE THE CONFIDANT,

1127
00:24:26,533 --> 00:24:27,800
WHO WANTS TO BE THE SUPPORTER.

1128
00:24:27,800 --> 00:24:28,668
BUT IF PEOPLE GET TO SEE

1129
00:24:28,668 --> 00:24:29,368
WHO YOU ARE AND THEY SEE

1130
00:24:29,368 --> 00:24:30,136
THAT YOU'RE A GREAT PERSON,

1131
00:24:30,136 --> 00:24:30,803
THEY'RE GONNA BE LIKE,

1132
00:24:30,803 --> 00:24:31,538
"YOU KNOW WHAT?

1133
00:24:31,538 --> 00:24:33,540
I WANT K.MICHELLE TO WIN."

1134
00:24:33,540 --> 00:24:34,841
I DON'T EVER WANT TO BE

1135
00:24:34,841 --> 00:24:35,575
THE KIND OF PERSON

1136
00:24:35,575 --> 00:24:36,543
WHO BITES THEIR TONGUE,

1137
00:24:36,543 --> 00:24:37,844
'CAUSE THAT'S JUST NOT ME.

1138
00:24:37,844 --> 00:24:39,045
BUT AT THE SAME TIME,

1139
00:24:39,045 --> 00:24:40,747
IF IT HAS A NEGATIVE EFFECT

1140
00:24:40,747 --> 00:24:42,114
ON HOW PEOPLE LOOK AT ME

1141
00:24:42,114 --> 00:24:43,550
AND THEY CAN'T PROPERLY LISTEN

1142
00:24:43,550 --> 00:24:44,884
TO MY MUSIC RIGHT,

1143
00:24:44,884 --> 00:24:45,952
THEN THERE'S SOME CHANGES

1144
00:24:45,952 --> 00:24:46,886
I NEED TO MAKE.

1145
00:24:46,886 --> 00:24:48,087
I JUST WANT TO SING.

1146
00:24:48,087 --> 00:24:49,155
THAT'S JUST IT, LIKE--

1147
00:24:49,155 --> 00:24:50,222
WELL, DO THAT.

1148
00:24:50,222 --> 00:24:50,890
LET'S DO IT.

1149
00:24:50,890 --> 00:24:52,559
I JUST DON'T THINK THE PEOPLE

1150
00:24:52,559 --> 00:24:53,960
THAT I'VE BEEN AROUND

1151
00:24:53,960 --> 00:24:54,827
HERE IN ATLANTA

1152
00:24:54,827 --> 00:24:57,163
ARE WHO I NEED TO BE AROUND.

1153
00:24:57,163 --> 00:25:01,000
I GIVE EVERYBODY EVERYTHING.

1154
00:25:03,035 --> 00:25:04,571
AND THEN WHEN YOU GIVE EVERYBODY

1155
00:25:04,571 --> 00:25:05,705
EVERYTHING AND THEN THEY GO

1156
00:25:05,705 --> 00:25:06,873
AND [bleep] ON YOU,

1157
00:25:06,873 --> 00:25:10,276
I DON'T APPRECIATE IT.

1158
00:25:10,276 --> 00:25:12,011
SO I'LL WORK ON IT.

1159
00:25:12,011 --> 00:25:15,815
I'LL DEAL WITH TWITTER AND--

1160
00:25:15,815 --> 00:25:16,716
AND ALL OF THAT

1161
00:25:16,716 --> 00:25:17,717
OR WHATEVER IT NEEDS TO BE,

1162
00:25:17,717 --> 00:25:18,951
'CAUSE I DO WANT MY MUSIC.

1163
00:25:18,951 --> 00:25:20,352
I DON'T WANT TO LET THE PEOPLE

1164
00:25:20,352 --> 00:25:21,588
WHO ACTUALLY HAVE MY BACK,

1165
00:25:21,588 --> 00:25:22,388
MY FANS OUT THERE--

1166
00:25:22,388 --> 00:25:24,123
I DON'T WANT TO LET THEM DOWN.

1167
00:25:24,123 --> 00:25:25,491
AND I BELIEVE THEY WANT YOU

1168
00:25:25,491 --> 00:25:27,594
TO WIN JUST LIKE WE DO,

1169
00:25:27,594 --> 00:25:29,596
BUT IT'S TIME FOR THE CHANGE.

1170
00:25:29,596 --> 00:25:31,263
AND I HAVE A ALBUM TO MAKE.

1171
00:25:31,263 --> 00:25:32,498
LET'S TAKE THE CAREER.

1172
00:25:32,498 --> 00:25:33,733
LET'S MAKE IT STRATOSPHERIC.

1173
00:25:33,733 --> 00:25:34,601
NEXT LEVEL.

1174
00:25:34,601 --> 00:25:35,267
WE HAVE WORK...

1175
00:25:35,267 --> 00:25:35,935
YES.

1176
00:25:35,935 --> 00:25:36,603
IN OUR STUDIO.

1177
00:25:36,603 --> 00:25:39,806
YES.

1178
00:25:39,806 --> 00:25:40,940
I JUST DON'T EVEN WANT

1179
00:25:40,940 --> 00:25:41,741
TO DEAL WITH HIM, DAWN,

1180
00:25:41,741 --> 00:25:43,643
'CAUSE HE'S DOING TOO MUCH.

1181
00:25:43,643 --> 00:25:44,611
AND I'MA BREAK UP WITH HIM,

1182
00:25:44,611 --> 00:25:45,344
AND I'MA LET HIM KNOW

1183
00:25:45,344 --> 00:25:46,012
FOR REAL, STRAIGHT UP,

1184
00:25:46,012 --> 00:25:47,379
"YOU GO MAKE THAT HO A STAR.

1185
00:25:47,379 --> 00:25:48,280
I'M GONNA GO MAKE MYSELF

1186
00:25:48,280 --> 00:25:49,148
A STAR."

1187
00:25:49,148 --> 00:25:50,016
YOU DIDN'T EVEN GIVE ME

1188
00:25:50,016 --> 00:25:51,283
NO IDEA AT ALL THAT YOU

1189
00:25:51,283 --> 00:25:52,752
WAS READY TO POP THE QUESTION--

1190
00:25:52,752 --> 00:25:53,620
YES, I DID. I DID.

1191
00:25:53,620 --> 00:25:55,254
[bleep], I GAVE YOU A IDEA.

1192
00:25:55,254 --> 00:25:56,455
[bleep] NO, YOU DIDN'T.

1193
00:25:56,455 --> 00:25:57,990
WE WAS JUST [bleep] SIX DAYS

1194
00:25:57,990 --> 00:26:00,126
BEFORE YOU PROPOSED, HOMEBOY.

1195
00:26:12,504 --> 00:26:13,172
I HAVEN'T SEEN YOU

1196
00:26:13,172 --> 00:26:14,140
SINCE THE FASHION SHOW.

1197
00:26:14,140 --> 00:26:14,841
YOU KNOW WHAT?

1198
00:26:14,841 --> 00:26:15,541
YOU'VE BEEN RUNNING

1199
00:26:15,541 --> 00:26:16,643
AROUND THE WORLD.

1200
00:26:16,643 --> 00:26:17,443
I'VE BEEN KIND OF GOING

1201
00:26:17,443 --> 00:26:18,678
THROUGH IT.

1202
00:26:18,678 --> 00:26:19,478
I DON'T KNOW IF YOU KNOW

1203
00:26:19,478 --> 00:26:20,713
ABOUT THE BREAKUP.

1204
00:26:20,713 --> 00:26:21,848
SCRAPPY AND ERICA,

1205
00:26:21,848 --> 00:26:22,915
THEY NOT TOGETHER NO MORE.

1206
00:26:22,915 --> 00:26:24,116
RIGHT.

1207
00:26:24,116 --> 00:26:25,284
AND ALL OF A SUDDEN,

1208
00:26:25,284 --> 00:26:27,119
HE COME RUNNING TO ME.

1209
00:26:27,119 --> 00:26:27,887
THERE'S BEEN A LOT

1210
00:26:27,887 --> 00:26:28,688
OF COMMUNICATION.

1211
00:26:28,688 --> 00:26:29,521
THERE'S BEEN A LOT OF TEXTING.

1212
00:26:29,521 --> 00:26:30,222
WHY?

1213
00:26:30,222 --> 00:26:30,890
I KNOW. I KNOW. I KNOW.

1214
00:26:30,890 --> 00:26:32,191
JESUS.

1215
00:26:32,191 --> 00:26:33,660
SHAY KEEPS GOING BACK

1216
00:26:33,660 --> 00:26:35,928
TO SCRAPPY OVER AND OVER

1217
00:26:35,928 --> 00:26:37,229
AND OVER AGAIN.

1218
00:26:37,229 --> 00:26:38,665
I KEEP TELLING HER,

1219
00:26:38,665 --> 00:26:40,099
"MOVE THE [bleep] ON,"

1220
00:26:40,099 --> 00:26:41,433
BUT SHE DOESN'T LISTEN TO ME.

1221
00:26:41,433 --> 00:26:42,301
IF SHE WOULD TAKE MY ADVICE

1222
00:26:42,301 --> 00:26:44,336
AND MOVE ON, SHE'LL FIND SOMEONE

1223
00:26:44,336 --> 00:26:45,437
TO PUT A RING ON IT.

1224
00:26:45,437 --> 00:26:46,505
SCRAPPY'S NOT PUTTING

1225
00:26:46,505 --> 00:26:47,206
A RING ON YOU, BOO.

1226
00:26:47,206 --> 00:26:48,675
WHEN YOU GONNA REALIZE THAT?

1227
00:26:48,675 --> 00:26:50,476
Y'ALL BEEN HANGING OUT?

1228
00:26:50,476 --> 00:26:52,979
WE--WE--WE HUNG OUT.

1229
00:26:52,979 --> 00:26:54,146
YOU HUNG OUT?

1230
00:26:54,146 --> 00:26:55,782
WE--I MEAN, A COUPLE TIMES,

1231
00:26:55,782 --> 00:26:56,482
YEAH.

1232
00:26:56,482 --> 00:26:57,316
OHH!

1233
00:26:57,316 --> 00:26:58,150
WHAT ARE YOU TALKING ABOUT?

1234
00:26:58,150 --> 00:26:59,185
I TOLD YOU THAT [bleep]

1235
00:26:59,185 --> 00:26:59,886
WAS GONNA--

1236
00:26:59,886 --> 00:27:00,687
I DIDN'T SAY ANYTHING.

1237
00:27:00,687 --> 00:27:01,353
I TOLD YOU THAT

1238
00:27:01,353 --> 00:27:02,421
WAS GONNA HAPPEN.

1239
00:27:02,421 --> 00:27:03,089
I SAID, "HE'S GONNA GET

1240
00:27:03,089 --> 00:27:03,756
NEAR YOU.

1241
00:27:03,756 --> 00:27:04,423
HE'S GONNA--

1242
00:27:04,423 --> 00:27:05,758
HE KNOWS WHAT TO TOUCH.

1243
00:27:05,758 --> 00:27:07,393
HE KNOWS--HE KNOWS YOU."

1244
00:27:07,393 --> 00:27:08,327
I MEAN, I'VE KNOWN THE MAN

1245
00:27:08,327 --> 00:27:10,096
FOR FIVE FREAKING YEARS, DUDE.

1246
00:27:10,096 --> 00:27:10,763
EXACTLY.

1247
00:27:10,763 --> 00:27:12,264
BUT WHAT I WILL TELL YOU IS,

1248
00:27:12,264 --> 00:27:13,532
SOMETHING DONE CAME OVER ME,

1249
00:27:13,532 --> 00:27:14,734
AND I'M SICK OF IT.

1250
00:27:14,734 --> 00:27:16,736
PENIS-NOTIZED, HELLO.

1251
00:27:16,736 --> 00:27:17,403
CLEARLY.

1252
00:27:17,403 --> 00:27:18,504
[laughs]

1253
00:27:18,504 --> 00:27:19,505
CLEARLY, 'CAUSE I--

1254
00:27:19,505 --> 00:27:20,406
WELL, I ALREADY TOLD YOU

1255
00:27:20,406 --> 00:27:22,574
IT WAS GONNA--I MEAN, DAMN.

1256
00:27:22,574 --> 00:27:23,509
THE MORE I THINK ABOUT

1257
00:27:23,509 --> 00:27:24,944
MY SITUATION WITH SCRAPPY,

1258
00:27:24,944 --> 00:27:26,078
THE MORE I FEEL LIKE,

1259
00:27:26,078 --> 00:27:27,213
"WHY DID I LET THIS MAN

1260
00:27:27,213 --> 00:27:28,514
BACK IN MY HOUSE AGAIN?"

1261
00:27:28,514 --> 00:27:29,315
AND I GOT TO PUT SOME TYPE

1262
00:27:29,315 --> 00:27:30,516
OF STOP TO IT BEFORE I GET

1263
00:27:30,516 --> 00:27:32,184
TOO DEEPLY INVOLVED AND GET HURT

1264
00:27:32,184 --> 00:27:33,585
ALL OVER AGAIN.

1265
00:27:33,585 --> 00:27:35,387
I GOT TO SOMEHOW

1266
00:27:35,387 --> 00:27:36,956
JUST CUT IT OFF.

1267
00:27:36,956 --> 00:27:37,724
YOU GONNA HAVE TO SHOW ME

1268
00:27:37,724 --> 00:27:38,324
HOW TO DO IT,

1269
00:27:38,324 --> 00:27:39,391
'CAUSE I DON'T KNOW HOW.

1270
00:27:39,391 --> 00:27:42,428
IT'S TIME TO TALK.

1271
00:27:42,428 --> 00:27:43,162
GET IT OUT,

1272
00:27:43,162 --> 00:27:44,130
AND THEN YOU'RE DONE.

1273
00:27:44,130 --> 00:27:45,497
THAT'S CLOSURE.

1274
00:27:45,497 --> 00:27:49,601
I'M--I'M GONNA FIND A WAY

1275
00:27:49,601 --> 00:27:50,369
TO LET GO.

1276
00:27:50,369 --> 00:27:52,404
I DON'T KNOW.

1277
00:28:00,479 --> 00:28:01,914
YOU KNOW, I WAS COOL

1278
00:28:01,914 --> 00:28:03,015
WITH APOLOGIZING

1279
00:28:03,015 --> 00:28:03,850
WITH METAL MOUTH,

1280
00:28:03,850 --> 00:28:06,518
BUT AFTER STEVIE SAT ME UP THERE

1281
00:28:06,518 --> 00:28:07,453
IN FRONT OF THIS BITCH

1282
00:28:07,453 --> 00:28:09,088
AND SHE HAD THE NERVE TO TELL ME

1283
00:28:09,088 --> 00:28:10,890
STEVIE BOUGHT HER A TV,

1284
00:28:10,890 --> 00:28:12,759
I WAS DONE WITH HER BITCH ASS,

1285
00:28:12,759 --> 00:28:13,793
HIS BITCH ASS,

1286
00:28:13,793 --> 00:28:14,761
AND THEY COULD BOTH

1287
00:28:14,761 --> 00:28:16,662
DO BITCH-ASS THINGS TOGETHER.

1288
00:28:16,662 --> 00:28:17,463
HEY, DAWN.

1289
00:28:17,463 --> 00:28:18,364
HEY, HEY.

1290
00:28:18,364 --> 00:28:19,031
WHAT'S GONNA ON?

1291
00:28:19,031 --> 00:28:19,766
OH, MY GOD,

1292
00:28:19,766 --> 00:28:20,532
I LOVE THOSE SHOES.

1293
00:28:20,532 --> 00:28:21,667
OH, THANK YOU.

1294
00:28:21,667 --> 00:28:22,401
I'M LIKE, YOU KNOW WHAT?

1295
00:28:22,401 --> 00:28:23,669
LET ME CALL MY HOMEGIRL DAWN,

1296
00:28:23,669 --> 00:28:24,336
'CAUSE, FOR REAL,

1297
00:28:24,336 --> 00:28:25,004
I NEED TO VENT.

1298
00:28:25,004 --> 00:28:26,172
I NEED TO TALK TO SOMEBODY

1299
00:28:26,172 --> 00:28:27,139
ABOUT ALL THE BULL[bleep]

1300
00:28:27,139 --> 00:28:28,574
WITH STEVIE, 'CAUSE I DON'T EVEN

1301
00:28:28,574 --> 00:28:29,776
KNOW WHAT TO DO ANYMORE.

1302
00:28:29,776 --> 00:28:31,077
HOW DID THAT MEETING GO

1303
00:28:31,077 --> 00:28:32,144
WITH LITTLE DUSTY AND...

1304
00:28:32,144 --> 00:28:33,312
I JUST DON'T EVEN WANT

1305
00:28:33,312 --> 00:28:34,013
TO DEAL WITH HIM, DAWN,

1306
00:28:34,013 --> 00:28:35,815
'CAUSE HE'S DOING TOO MUCH.

1307
00:28:35,815 --> 00:28:37,316
YOU KNOW I'M NOT GONNA BE COOL

1308
00:28:37,316 --> 00:28:38,250
WITH YOU WORKING WITH ANOTHER

1309
00:28:38,250 --> 00:28:39,018
BITCH WHEN YOU'RE NOT DONE

1310
00:28:39,018 --> 00:28:39,685
WITH ME.

1311
00:28:39,685 --> 00:28:40,586
YOU GOT ME MESSED UP.

1312
00:28:40,586 --> 00:28:41,788
WHO THE HELL YOU THINK I AM?

1313
00:28:41,788 --> 00:28:44,556
I'M NOT GONNA DELAY MY CAREER

1314
00:28:44,556 --> 00:28:46,192
BECAUSE OF YOUR SHENANIGANS.

1315
00:28:46,192 --> 00:28:46,893
AND, GIRL, YOU KNOW,

1316
00:28:46,893 --> 00:28:48,694
HE GOT THE NERVE TO TELL ME

1317
00:28:48,694 --> 00:28:49,595
HE BOUGHT HER A TV.

1318
00:28:49,595 --> 00:28:50,496
HE FEEL BAD.

1319
00:28:50,496 --> 00:28:51,197
HOLD UP.

1320
00:28:51,197 --> 00:28:51,931
[chuckles]

1321
00:28:51,931 --> 00:28:52,698
I'M LOST FOR WORDS.

1322
00:28:52,698 --> 00:28:54,433
THEY SUPPOSED TO BE "FRIEND."

1323
00:28:54,433 --> 00:28:55,134
THAT AIN'T [bleep]

1324
00:28:55,134 --> 00:28:55,802
FRIENDS DO.

1325
00:28:55,802 --> 00:28:56,502
TAKE CARE OF YOUR KIDS

1326
00:28:56,502 --> 00:28:57,169
AND HANDLE BUSINESS.

1327
00:28:57,169 --> 00:28:57,837
YOU'RE A MANAGER.

1328
00:28:57,837 --> 00:28:58,504
BE A MANAGER

1329
00:28:58,504 --> 00:28:59,171
AND DO WHAT YOU GOT TO DO

1330
00:28:59,171 --> 00:28:59,839
AND PRODUCE MUSIC.

1331
00:28:59,839 --> 00:29:00,506
BUYING A BITCH A TV,

1332
00:29:00,506 --> 00:29:01,173
AND YOU GOT KIDS.

1333
00:29:01,173 --> 00:29:02,008
BUT YOU GOT ALL THESE KID.

1334
00:29:02,008 --> 00:29:02,809
WHY WOULD YOU BUY THIS BITCH

1335
00:29:02,809 --> 00:29:03,442
A TV?

1336
00:29:03,442 --> 00:29:04,110
THAT TV COULD HAVE WENT

1337
00:29:04,110 --> 00:29:04,811
TO YOUR KID.

1338
00:29:04,811 --> 00:29:05,444
YEAH.

1339
00:29:05,444 --> 00:29:06,645
YOU KNOW WHAT I THINK IT IS?

1340
00:29:06,645 --> 00:29:08,815
YOU KNOW, HE CAPTAIN SAVE-A-HO,

1341
00:29:08,815 --> 00:29:09,816
SO HE CAN SAY,

1342
00:29:09,816 --> 00:29:11,350
"I SAVED THAT HO."

1343
00:29:11,350 --> 00:29:12,819
AT THE SAME RATE, YOU KNOW,

1344
00:29:12,819 --> 00:29:13,853
WE JUST GOT TO MAKE SURE

1345
00:29:13,853 --> 00:29:15,121
WE HAVE OUR [bleep] ON POINT

1346
00:29:15,121 --> 00:29:16,055
AND DO WHAT WE NEED TO DO

1347
00:29:16,055 --> 00:29:16,722
A.S.A.P.

1348
00:29:16,722 --> 00:29:18,057
TRUST ME, I'M DONE WITH IT.

1349
00:29:18,057 --> 00:29:18,958
AND I'MA BREAK UP WITH HIM,

1350
00:29:18,958 --> 00:29:19,826
AND I'MA LET HIM KNOW

1351
00:29:19,826 --> 00:29:20,626
FOR REAL, STRAIGHT UP,

1352
00:29:20,626 --> 00:29:21,828
"I DON'T WANT TO DEAL WITH YOU.

1353
00:29:21,828 --> 00:29:23,529
I FEEL LIKE YOU BRING--

1354
00:29:23,529 --> 00:29:24,563
I FEEL LIKE YOU'RE NOT BEING

1355
00:29:24,563 --> 00:29:26,498
MINDFUL OF HOW I FEEL."

1356
00:29:26,498 --> 00:29:28,000
SO GUESS WHAT I'MA LET HIM KNOW.

1357
00:29:28,000 --> 00:29:29,401
"YOU GO MAKE THAT HO A STAR.

1358
00:29:29,401 --> 00:29:30,169
I'M GONNA GO MAKE MYSELF

1359
00:29:30,169 --> 00:29:31,037
A STAR."

1360
00:29:31,037 --> 00:29:31,737
YOU KNOW WHAT?

1361
00:29:31,737 --> 00:29:32,839
THERE'S ONLY ONE

1362
00:29:32,839 --> 00:29:34,006
JOSELINE HERNANDEZ.

1363
00:29:34,006 --> 00:29:34,841
STEVIE'S NOT GONNA EVER FIND

1364
00:29:34,841 --> 00:29:36,075
NO ONE LIKE ME.

1365
00:29:36,075 --> 00:29:36,742
I'M JUST REALLY SICK

1366
00:29:36,742 --> 00:29:37,409
OF EVERYTHING.

1367
00:29:37,409 --> 00:29:38,277
HE COULD REALLY FIND SOMEBODY

1368
00:29:38,277 --> 00:29:39,478
ELSE TO GO TREAT LIKE [bleep].

1369
00:29:39,478 --> 00:29:40,679
I DESERVE BETTER.

1370
00:29:40,679 --> 00:29:42,648
I'M TOO DOWN OF A CHICK FOR HIM,

1371
00:29:42,648 --> 00:29:44,683
AND I JUST WANT MORE.

1372
00:29:44,683 --> 00:29:45,852
"FOR REAL, [bleep], PEACE OUT.

1373
00:29:45,852 --> 00:29:46,919
GO BE WITH A NICE BITCH.

1374
00:29:46,919 --> 00:29:47,854
BUY HER TV.

1375
00:29:47,854 --> 00:29:48,487
DO WHAT YOU GOT TO DO.

1376
00:29:48,487 --> 00:29:49,155
MAKE HER A STAR.

1377
00:29:49,155 --> 00:29:49,856
SHOOT HER A VIDEO.

1378
00:29:49,856 --> 00:29:50,522
MAKE HER A SONG.

1379
00:29:50,522 --> 00:29:51,523
LET ME DO ME."

1380
00:29:51,523 --> 00:29:52,191
YEAH.

1381
00:29:52,191 --> 00:29:52,859
AND GUESS WHAT.

1382
00:29:52,859 --> 00:29:54,994
WE'LL SEE EACH OTHER AT THE TOP.

1383
00:29:54,994 --> 00:29:56,562
BELIEVE THAT.

1384
00:29:56,562 --> 00:29:57,363
WE'LL SEE WHICH ONE

1385
00:29:57,363 --> 00:29:58,230
GET THERE FIRST.

1386
00:29:58,230 --> 00:30:00,432
MAN, LIKE, IT'S OVER.

1387
00:30:00,432 --> 00:30:02,869
IT'S OVER.

1388
00:30:02,869 --> 00:30:04,003
I DONE SAID SORRY

1389
00:30:04,003 --> 00:30:05,271
A BUNCH OF MOTHER[bleep] TIMES.

1390
00:30:05,271 --> 00:30:06,005
IT'S OVER, COOL.

1391
00:30:06,005 --> 00:30:06,805
IF YOU DON'T GIVE A [bleep]

1392
00:30:06,805 --> 00:30:07,907
ABOUT THAT, IT'S COOL.

1393
00:30:07,907 --> 00:30:09,141
FINE, WE SHOULD NOT HAVE

1394
00:30:09,141 --> 00:30:10,609
NEVER HAD SEX.

1395
00:30:10,609 --> 00:30:11,343
SHOULD'VE, WOULD'VE,

1396
00:30:11,343 --> 00:30:12,411
COULD'VE.

1397
00:30:12,411 --> 00:30:13,479
WHAT YOU'RE NOT GONNA DO,

1398
00:30:13,479 --> 00:30:14,380
YOU'RE NOT GONNA PLAY ME.

1399
00:30:14,380 --> 00:30:15,147
YOU NEEDED TO BE DONE

1400
00:30:15,147 --> 00:30:15,814
WITH MY PROJECT

1401
00:30:15,814 --> 00:30:16,515
BEFORE YOU DECIDE TO HELP

1402
00:30:16,515 --> 00:30:17,183
ANY OTHER PROJECT.

1403
00:30:17,183 --> 00:30:17,850
YOUR PROJECT WAS DONE

1404
00:30:17,850 --> 00:30:19,852
BEFORE IT STARTED.

1405
00:30:32,364 --> 00:30:33,732
SO YOU KNOW I'M TRYING

1406
00:30:33,732 --> 00:30:37,336
TO EXPAND MY BRAND.

1407
00:30:37,336 --> 00:30:38,804
BUT INSTEAD OF IT BEING "MAID,"

1408
00:30:38,804 --> 00:30:40,372
AS IN, MAID THAT CLEANS,

1409
00:30:40,372 --> 00:30:43,275
IT'S GONNA BE "MADE" M-A-D-E.

1410
00:30:43,275 --> 00:30:43,943
SO...

1411
00:30:43,943 --> 00:30:44,643
DOPE.

1412
00:30:44,643 --> 00:30:46,378
I GOT SOME IDEAS OF MY OWN.

1413
00:30:46,378 --> 00:30:47,746
SO I'M STARTING A T-SHIRT

1414
00:30:47,746 --> 00:30:48,881
LINE CALLED MADE,

1415
00:30:48,881 --> 00:30:49,949
SO I'M DOING A PHOTO SHOOT

1416
00:30:49,949 --> 00:30:51,850
NEXT WEEK FOR MY NEW BRAND.

1417
00:30:51,850 --> 00:30:52,684
AND SINCE JOSELINE

1418
00:30:52,684 --> 00:30:53,685
LIKES TO CALL ME A MAID,

1419
00:30:53,685 --> 00:30:55,121
I'LL BE WEARING A MAID OUTFIT

1420
00:30:55,121 --> 00:30:56,055
IN THE SHOOT.

1421
00:30:56,055 --> 00:30:58,524
BUT THIS IS MY IDEA, SO, NIKKO,

1422
00:30:58,524 --> 00:30:59,725
YOU STAY IN YOUR LANE,

1423
00:30:59,725 --> 00:31:01,227
AND I'LL STAY IN MINE.

1424
00:31:01,227 --> 00:31:03,462
ANYBODY THAT I'VE TOLD ABOUT IT

1425
00:31:03,462 --> 00:31:05,831
IS JUST, YOU KNOW,

1426
00:31:05,831 --> 00:31:07,366
EXCITED ABOUT IT, SO...

1427
00:31:07,366 --> 00:31:09,969
THAT'S WHY I CHOSE YOU.

1428
00:31:09,969 --> 00:31:10,636
I KNOW YOU'RE SMART.

1429
00:31:10,636 --> 00:31:11,403
YOU'RE SMART.

1430
00:31:11,403 --> 00:31:12,204
YOU'RE A SMART PERSON.

1431
00:31:12,204 --> 00:31:13,172
YES, I AM.

1432
00:31:13,172 --> 00:31:14,273
I THINK I'VE BEEN COACHING

1433
00:31:14,273 --> 00:31:15,507
YOU AND GIVING YOU--

1434
00:31:15,507 --> 00:31:16,475
COACHING ME?

1435
00:31:16,475 --> 00:31:17,643
COACHING YOU IN THE SENSE

1436
00:31:17,643 --> 00:31:18,610
WHEREAS I THINK WE'VE BEEN

1437
00:31:18,610 --> 00:31:19,278
HAVING A CONVERSATION.

1438
00:31:19,278 --> 00:31:21,981
YOU--LIKE, YOUR WORDPLAY

1439
00:31:21,981 --> 00:31:24,550
SOMETIMES IS SO [bleep] UP.

1440
00:31:24,550 --> 00:31:25,217
REALLY?

1441
00:31:25,217 --> 00:31:28,620
YES, LIKE I'M A CHILD.

1442
00:31:28,620 --> 00:31:29,688
IS THAT BECAUSE YOU'RE

1443
00:31:29,688 --> 00:31:31,157
SENSITIVE TO SOMETHING ELSE?

1444
00:31:31,157 --> 00:31:31,958
NO.

1445
00:31:31,958 --> 00:31:34,793
WELL, LET ME REPHRASE.

1446
00:31:34,793 --> 00:31:36,795
I'M SORRY IF YOU TAKING IT

1447
00:31:36,795 --> 00:31:38,564
THAT WAY, BUT IT'S NOT THAT WAY.

1448
00:31:38,564 --> 00:31:39,498
YOU SAID A FEW THINGS

1449
00:31:39,498 --> 00:31:40,566
YOU NEED TO TAKE BACK.

1450
00:31:40,566 --> 00:31:41,233
ALL RIGHT, WELL,

1451
00:31:41,233 --> 00:31:42,368
WE WORKING ON THAT.

1452
00:31:42,368 --> 00:31:43,402
I'M NOT--I CAN'T GET IT ALL

1453
00:31:43,402 --> 00:31:44,803
IN ONE DAY, BUT IT'S--

1454
00:31:44,803 --> 00:31:45,972
I'M WORKING ON IT.

1455
00:31:45,972 --> 00:31:47,306
BUT MOVING FURTHER,

1456
00:31:47,306 --> 00:31:49,108
WE'RE BUILDING,

1457
00:31:49,108 --> 00:31:50,742
AND I'M OUT FOR YOU.

1458
00:31:50,742 --> 00:31:52,979
AND I HOPE YOU'RE OUT FOR ME.

1459
00:31:52,979 --> 00:31:53,879
I MEAN, YOU'VE BEEN RIDING

1460
00:31:53,879 --> 00:31:56,482
ON MY TRAIN FOR THIS LONG NOW--

1461
00:31:56,482 --> 00:31:57,549
I'VE BEEN ON YOUR TRAIN?

1462
00:31:57,549 --> 00:31:58,250
WE'VE BEEN RIDING--

1463
00:31:58,250 --> 00:31:59,618
LET'S NOT GO THERE

1464
00:31:59,618 --> 00:32:01,387
WITH THE TRAINS AND THE BUSES

1465
00:32:01,387 --> 00:32:02,188
AND THE [bleep] JETS.

1466
00:32:02,188 --> 00:32:02,854
OKAY.

1467
00:32:02,854 --> 00:32:03,555
WE'RE NOT GONNA TALK--

1468
00:32:03,555 --> 00:32:04,223
WE NOT--

1469
00:32:04,223 --> 00:32:05,057
OKAY, THAT'S A SENSITIVE--

1470
00:32:05,057 --> 00:32:05,857
YOU NEED TO REPHRASE THAT.

1471
00:32:05,857 --> 00:32:06,993
LISTEN, LET ME--

1472
00:32:06,993 --> 00:32:08,160
GIVE ME A CHANCE TO REPHRASE IT.

1473
00:32:08,160 --> 00:32:08,827
OKAY.

1474
00:32:08,827 --> 00:32:10,229
SO WE'VE BEEN RIDING

1475
00:32:10,229 --> 00:32:12,831
ON EACH OTHER'S TRAIN, OKAY?

1476
00:32:12,831 --> 00:32:13,799
OKAY.

1477
00:32:13,799 --> 00:32:14,900
SO WHEN I FIRST STARTED

1478
00:32:14,900 --> 00:32:16,435
DATING NIKKO, IT WAS EXCITING.

1479
00:32:16,435 --> 00:32:17,569
IT WAS FUN.

1480
00:32:17,569 --> 00:32:19,871
BUT NOW YOU WANT TO COACH ME?

1481
00:32:19,871 --> 00:32:22,908
LIKE, "WHOA, COME ON, MAN.

1482
00:32:22,908 --> 00:32:23,809
GET OUT OF HERE.

1483
00:32:23,809 --> 00:32:25,244
I DON'T NEED ANOTHER STEVIE J.

1484
00:32:25,244 --> 00:32:26,745
TRYING TO TELL ME WHAT TO DO

1485
00:32:26,745 --> 00:32:28,247
IN ORDER TO BE SUCCESSFUL.

1486
00:32:28,247 --> 00:32:29,148
I GOT THIS."

1487
00:32:29,148 --> 00:32:31,017
LOOK, I KNOW YOU'RE HUNGRY

1488
00:32:31,017 --> 00:32:32,018
AND ALL, BUT YOU GOT TO FINISH

1489
00:32:32,018 --> 00:32:32,718
THIS FOOT.

1490
00:32:32,718 --> 00:32:34,220
THIS THE LAST ONE?

1491
00:32:34,220 --> 00:32:35,021
I WON'T PUT YOUR FOOT

1492
00:32:35,021 --> 00:32:36,322
TO SLEEP, THOUGH.

1493
00:32:36,322 --> 00:32:37,323
JUST DO IT.

1494
00:32:37,323 --> 00:32:39,325
MM.

1495
00:32:49,501 --> 00:32:51,337
OH, MY GOD, I CANNOT BELIEVE

1496
00:32:51,337 --> 00:32:53,372
HOW I CAN'T SAY NO TO THIS MAN.

1497
00:32:53,372 --> 00:32:55,041
SCRAPPY, COME HERE.

1498
00:32:55,041 --> 00:32:55,874
I MADE SOME FRUIT.

1499
00:32:55,874 --> 00:32:57,376
YOU MADE SOME FRUIT

1500
00:32:57,376 --> 00:32:58,744
OR YOU CUT SOME FRUIT?

1501
00:32:58,744 --> 00:32:59,845
'CAUSE IF YOU MADE THE FRUIT,

1502
00:32:59,845 --> 00:33:01,880
THEN YOU WOULD--

1503
00:33:01,880 --> 00:33:03,349
YOU WOULD BE A FLOWER.

1504
00:33:03,349 --> 00:33:04,516
SCRAPPY THINKS HE CAN COME

1505
00:33:04,516 --> 00:33:05,617
IN AND OUT OF MY LIFE,

1506
00:33:05,617 --> 00:33:06,685
USE AND ABUSE ME

1507
00:33:06,685 --> 00:33:07,753
AND TREAT ME LIKE GARBAGE.

1508
00:33:07,753 --> 00:33:08,787
ARE YOU SERIOUS?

1509
00:33:08,787 --> 00:33:10,056
IT'S NOT FAIR TO ME,

1510
00:33:10,056 --> 00:33:10,922
AND THIS MAN,

1511
00:33:10,922 --> 00:33:11,923
I'M NOT LETTING HIM TREAT ME

1512
00:33:11,923 --> 00:33:13,792
LIKE A REVOLVING DOOR.

1513
00:33:13,792 --> 00:33:14,526
I JUST WANTED TO TALK TO YOU

1514
00:33:14,526 --> 00:33:17,463
A LITTLE BIT, BECAUSE SOMETIMES

1515
00:33:17,463 --> 00:33:19,331
I GET CONFUSED

1516
00:33:19,331 --> 00:33:20,132
ON WHERE WE STAND.

1517
00:33:20,132 --> 00:33:20,932
WHERE DO YOU STAND

1518
00:33:20,932 --> 00:33:21,833
WITH ERICA RIGHT NOW?

1519
00:33:21,833 --> 00:33:23,669
UNFORTUNATELY, WE DONE,

1520
00:33:23,669 --> 00:33:24,903
BUT, YOU KNOW...

1521
00:33:24,903 --> 00:33:26,338
YOU'RE DONE?

1522
00:33:26,338 --> 00:33:27,739
YEAH.

1523
00:33:27,739 --> 00:33:28,607
YOU SURPRISED?

1524
00:33:28,607 --> 00:33:29,341
YEAH.

1525
00:33:29,341 --> 00:33:30,109
WHY?

1526
00:33:30,109 --> 00:33:31,877
'CAUSE, I MEAN, ME AND HER

1527
00:33:31,877 --> 00:33:33,179
GOT A LITTLE BOND.

1528
00:33:33,179 --> 00:33:33,879
YOU FEEL ME?

1529
00:33:33,879 --> 00:33:35,581
SO I JUST FEEL LIKE IT'S KIND OF

1530
00:33:35,581 --> 00:33:37,116
HARD FOR US TO STOP

1531
00:33:37,116 --> 00:33:38,650
EVEN [bleep] WITH EACH OTHER.

1532
00:33:38,650 --> 00:33:41,387
BUT DO WE HAVE A BOND NOW?

1533
00:33:41,387 --> 00:33:42,354
I MEAN, WE'VE BEEN--

1534
00:33:42,354 --> 00:33:44,256
HAVE A BOND AS A FRIENDSHIP.

1535
00:33:44,256 --> 00:33:46,192
UH-HUH, BUT IT LED INTO MORE

1536
00:33:46,192 --> 00:33:47,093
THAN JUST A FRIENDSHIP,

1537
00:33:47,093 --> 00:33:48,094
AND YOU AND I BOTH KNOW THAT.

1538
00:33:48,094 --> 00:33:49,095
AND THAT'S WHAT I DON'T LIKE.

1539
00:33:49,095 --> 00:33:50,329
IT SEEMED LIKE YOU USE

1540
00:33:50,329 --> 00:33:51,663
THE FRIEND CARD WITH ME A LOT.

1541
00:33:51,663 --> 00:33:53,699
WE WASN'T SEXING AS NO FRIENDS.

1542
00:33:53,699 --> 00:33:54,733
YOU KNEW THAT.

1543
00:33:54,733 --> 00:33:55,734
FRIENDS DON'T TAKE ADVANTAGE

1544
00:33:55,734 --> 00:33:56,468
OF EACH OTHER LIKE SCRAPPY

1545
00:33:56,468 --> 00:33:57,136
DID WITH ME.

1546
00:33:57,136 --> 00:33:57,803
THAT'S SOME BULL.

1547
00:33:57,803 --> 00:33:58,970
AND YOU DEFINITELY DON'T GET

1548
00:33:58,970 --> 00:33:59,905
ON BENDED KNEE, POPPING

1549
00:33:59,905 --> 00:34:01,173
QUESTIONS TO YOUR BABY MAMA,

1550
00:34:01,173 --> 00:34:02,541
THE SAME BABY MAMA YOU CALLED

1551
00:34:02,541 --> 00:34:04,176
A BUM BITCH BEFORE I DID.

1552
00:34:04,176 --> 00:34:04,976
SERIOUSLY?

1553
00:34:04,976 --> 00:34:06,445
YOU DIDN'T EVEN GIVE ME NO IDEA

1554
00:34:06,445 --> 00:34:07,446
AT ALL THAT YOU WAS READY

1555
00:34:07,446 --> 00:34:08,480
TO POP THE QUESTION--

1556
00:34:08,480 --> 00:34:09,248
YES, I DID. I DID.

1557
00:34:09,248 --> 00:34:11,250
[bleep], I GAVE YOU A IDEA.

1558
00:34:11,250 --> 00:34:12,451
[bleep] NO, YOU DIDN'T.

1559
00:34:12,451 --> 00:34:13,919
WE WAS JUST [bleep] SIX DAYS

1560
00:34:13,919 --> 00:34:15,454
BEFORE YOU PROPOSED, HOMEBOY.

1561
00:34:15,454 --> 00:34:16,122
NO, WE WASN'T.

1562
00:34:16,122 --> 00:34:16,922
YEAH, DO THE MATH.

1563
00:34:16,922 --> 00:34:17,589
DO THE MATH.

1564
00:34:17,589 --> 00:34:18,524
DO THE MATH?

1565
00:34:18,524 --> 00:34:19,525
WE WASN'T [bleep].

1566
00:34:19,525 --> 00:34:20,559
YES, WE DID.

1567
00:34:20,559 --> 00:34:21,260
IF YOU WANT TO SAY

1568
00:34:21,260 --> 00:34:22,228
I AIN'T [bleep], OKAY,

1569
00:34:22,228 --> 00:34:22,928
I AIN'T [bleep].

1570
00:34:22,928 --> 00:34:24,196
YOU AIN'T [bleep] FOR THAT.

1571
00:34:24,196 --> 00:34:25,464
OF COURSE, YOU AIN'T [bleep].

1572
00:34:25,464 --> 00:34:26,398
I WANT TO SLAP THE [bleep]

1573
00:34:26,398 --> 00:34:27,133
OUT YOUR ASS.

1574
00:34:27,133 --> 00:34:28,134
THAT'LL NEVER HAPPEN.

1575
00:34:28,134 --> 00:34:29,468
WE SHOULD NOT HAVE NEVER

1576
00:34:29,468 --> 00:34:30,536
HAD SEX.

1577
00:34:30,536 --> 00:34:31,270
SHOULD'VE, WOULD'VE,

1578
00:34:31,270 --> 00:34:32,003
COULD'VE.

1579
00:34:32,003 --> 00:34:32,704
MAN, I'M THINKING,

1580
00:34:32,704 --> 00:34:34,140
"WE COOL, FO-FO."

1581
00:34:34,140 --> 00:34:34,906
YOU FEEL ME?

1582
00:34:34,906 --> 00:34:36,942
BUT SHAY IS JUST CRAZY.

1583
00:34:36,942 --> 00:34:37,743
YOU KNOW WHAT I'M SAYING?

1584
00:34:37,743 --> 00:34:38,544
LIKE, SHE CAN'T GET OVER

1585
00:34:38,544 --> 00:34:39,245
THE PAST.

1586
00:34:39,245 --> 00:34:40,412
SHE GOT TO KEEP BRINGING IT UP.

1587
00:34:40,412 --> 00:34:41,813
I DONE SAID SORRY

1588
00:34:41,813 --> 00:34:43,549
A HUNDRED BILLION TIMES.

1589
00:34:43,549 --> 00:34:44,316
AND THE NEXT THING YOU KNOW,

1590
00:34:44,316 --> 00:34:46,152
I SOUND LIKE A--YOU FEEL ME--

1591
00:34:46,152 --> 00:34:48,354
A RING AROUND THE ROSIE.

1592
00:34:48,354 --> 00:34:49,155
YOU DIG?

1593
00:34:49,155 --> 00:34:50,956
OTHER THAN THAT, WHATEVER I DID,

1594
00:34:50,956 --> 00:34:52,824
THAT'S ALL ONTO YOU.

1595
00:34:52,824 --> 00:34:53,792
YOU HURT ME.

1596
00:34:53,792 --> 00:34:54,460
YOU LIED TO ME.

1597
00:34:54,460 --> 00:34:55,161
HOLD ON. HOLD ON.

1598
00:34:55,161 --> 00:34:56,061
I SAID OTHER THAN THAT--

1599
00:34:56,061 --> 00:34:57,163
YOU HAD YOUR BABY MAMA

1600
00:34:57,163 --> 00:34:58,164
ON THE SIDE THAT YOU WAS STILL

1601
00:34:58,164 --> 00:34:59,665
PUMPING ON WHILE YOU WAS DEALING

1602
00:34:59,665 --> 00:35:01,167
WITH ME, LYING TO ME IN MY FACE,

1603
00:35:01,167 --> 00:35:01,833
SAYING IT WAS ME AND YOU.

1604
00:35:01,833 --> 00:35:02,568
BUT THAT'S IT.

1605
00:35:02,568 --> 00:35:03,235
THAT'S WHAT YOU DID.

1606
00:35:03,235 --> 00:35:04,303
THAT'S IT, I MEAN--

1607
00:35:04,303 --> 00:35:04,970
THAT'S SOMETHING.

1608
00:35:04,970 --> 00:35:05,637
THAT'S A LIE.

1609
00:35:05,637 --> 00:35:06,305
BUT I TOLD YOU--

1610
00:35:06,305 --> 00:35:06,972
THAT'S A LIE.

1611
00:35:06,972 --> 00:35:07,639
I TOLD YOU I WAS SORRY.

1612
00:35:07,639 --> 00:35:08,340
YOU TOLD ME WHEN YOU

1613
00:35:08,340 --> 00:35:09,175
GOT ON YOUR KNEE AND SAID,

1614
00:35:09,175 --> 00:35:10,176
"CAN YOU MARRY ME, BITCH?"

1615
00:35:10,176 --> 00:35:11,777
THAT'S WHEN YOU TOLD ME.

1616
00:35:11,777 --> 00:35:13,612
AND IT WAS A GOOD--

1617
00:35:13,612 --> 00:35:14,680
IT WASN'T GOOD, [bleep],

1618
00:35:14,680 --> 00:35:16,415
'CAUSE YOU AIN'T EVEN WITH HER.

1619
00:35:16,415 --> 00:35:17,616
I MEAN, NOBODY KNOWS

1620
00:35:17,616 --> 00:35:18,284
THE FUTURE, YOU FEEL ME?

1621
00:35:18,284 --> 00:35:18,950
WELL, THEN GO BACK

1622
00:35:18,950 --> 00:35:19,618
TO THE BITCH

1623
00:35:19,618 --> 00:35:20,886
AND GO TO YOUR FUTURE.

1624
00:35:20,886 --> 00:35:22,354
HEY, I DONE SAID SORRY

1625
00:35:22,354 --> 00:35:23,589
A BUNCH OF MOTHER[bleep] TIMES.

1626
00:35:23,589 --> 00:35:24,256
SO IT'S OVER, COOL.

1627
00:35:24,256 --> 00:35:25,090
IF YOU DON'T GIVE A [bleep]

1628
00:35:25,090 --> 00:35:26,091
ABOUT THAT, IT'S COOL.

1629
00:35:26,091 --> 00:35:27,293
COOL, FINE.

1630
00:35:27,293 --> 00:35:28,194
I DON'T EVEN WANT TO BE

1631
00:35:28,194 --> 00:35:29,628
NOTHING NO MORE, BECAUSE YOU--

1632
00:35:29,628 --> 00:35:30,296
EVERY WAY, YOU FIND

1633
00:35:30,296 --> 00:35:30,962
A WAY TO HURT ME.

1634
00:35:30,962 --> 00:35:31,630
I DON'T WANT TO BE

1635
00:35:31,630 --> 00:35:32,298
NOTHING EITHER.

1636
00:35:32,298 --> 00:35:32,964
DEUCES, I DON'T GIVE

1637
00:35:32,964 --> 00:35:33,632
A [bleep].

1638
00:35:33,632 --> 00:35:34,633
IT'S SO [bleep] CRAZY

1639
00:35:34,633 --> 00:35:36,001
HOW SCRAPPY PLAYED A DUMB ROLE,

1640
00:35:36,001 --> 00:35:36,668
LIKE HE CAN'T SEE

1641
00:35:36,668 --> 00:35:37,569
HOW HE HURT ME.

1642
00:35:37,569 --> 00:35:39,205
AND THE REAL DEAL HOLYFIELD IS,

1643
00:35:39,205 --> 00:35:40,539
I TRULY LOVE THIS MAN.

1644
00:35:40,539 --> 00:35:41,340
AND NOW THIS DUMMY

1645
00:35:41,340 --> 00:35:42,641
WALKING AROUND WITH AMNESIA,

1646
00:35:42,641 --> 00:35:43,575
ACTING LIKE HE FORGOT

1647
00:35:43,575 --> 00:35:44,676
WHAT HAPPENED AND WHAT WENT ON.

1648
00:35:44,676 --> 00:35:45,444
REALLY?

1649
00:35:45,444 --> 00:35:46,745
I CAN'T FORGIVE HIM FOR THAT.

1650
00:35:46,745 --> 00:35:47,613
I DON'T KNOW HOW I'M GONNA GET

1651
00:35:47,613 --> 00:35:48,547
OVER IT, BUT I CAN'T FORGIVE HIM

1652
00:35:48,547 --> 00:35:49,215
FOR THAT.

1653
00:35:49,215 --> 00:35:49,881
YOU PIECE OF [bleep],

1654
00:35:49,881 --> 00:35:50,716
THAT'S WHAT YOU ARE.

1655
00:35:50,716 --> 00:35:51,517
IF I'M A PIECE OF [bleep],

1656
00:35:51,517 --> 00:35:53,051
WHY YOU PUT A PIECE OF [bleep]

1657
00:35:53,051 --> 00:35:54,520
IN YOUR [bleep],

1658
00:35:54,520 --> 00:35:55,254
IN YOUR [bleep]?

1659
00:35:55,254 --> 00:35:56,255
AND MY [bleep] FELT GOOD,

1660
00:35:56,255 --> 00:35:56,955
DIDN'T IT?

1661
00:35:56,955 --> 00:35:58,390
MOTHER[bleep], GET OUT.

1662
00:35:58,390 --> 00:35:59,458
PEACE OUT, [bleep].

1663
00:35:59,458 --> 00:36:00,292
AND ON THE INTERNET--

1664
00:36:00,292 --> 00:36:01,560
HOW DID YOU GET YOUR HOUSE?

1665
00:36:01,560 --> 00:36:02,328
ME...

1666
00:36:02,328 --> 00:36:03,128
HOW DID YOU GET YOUR HOUSE?

1667
00:36:03,128 --> 00:36:03,862
AND THE LORD.

1668
00:36:03,862 --> 00:36:04,530
NAH.

1669
00:36:04,530 --> 00:36:05,364
GOD HIMSELF GOT IT FOR ME.

1670
00:36:05,364 --> 00:36:06,532
GOD BLESSED ME TO BLESS YOU.

1671
00:36:06,532 --> 00:36:07,333
YOU HAVE A WONDERFUL LIFE.

1672
00:36:07,333 --> 00:36:08,234
GOD BLESSED ME TO BLESS YOU.

1673
00:36:08,234 --> 00:36:08,967
YOU HAVE A MOTHER[bleep]

1674
00:36:08,967 --> 00:36:09,768
WONDERFUL LIFE.

1675
00:36:09,768 --> 00:36:10,869
GET THE [bleep] OUT.

1676
00:36:10,869 --> 00:36:12,404
YOU HAVE A WONDERFUL LIFE.

1677
00:36:12,404 --> 00:36:13,272
[tapping on door]

1678
00:36:13,272 --> 00:36:14,306
DON'T OPEN MY DOOR.

1679
00:36:14,306 --> 00:36:17,376
[tapping on door]

1680
00:36:17,376 --> 00:36:18,644
MAN, SHAY DONE CAUGHT

1681
00:36:18,644 --> 00:36:20,279
FEELINGS AGAIN, AND NOW SHE MAD

1682
00:36:20,279 --> 00:36:21,780
AT ME FOR SOME STANK I DID

1683
00:36:21,780 --> 00:36:22,748
A LONG TIME AGO,

1684
00:36:22,748 --> 00:36:23,715
LIKE, A YEAR AGO.

1685
00:36:23,715 --> 00:36:24,883
YOU KNOW, THEY SAY IF YOU CAN'T

1686
00:36:24,883 --> 00:36:27,519
FIZZ-NAH-EE, YOU KNOW, [bleep],

1687
00:36:27,519 --> 00:36:28,320
WHY ARE YOU FRIENDS?

1688
00:36:28,320 --> 00:36:29,054
YOU KNOW WHAT I'M SAYING?

1689
00:36:29,054 --> 00:36:30,121
'CAUSE THAT DIZZ-NAH-EE

1690
00:36:30,121 --> 00:36:31,490
DRIVE A CRIZ-NAH-EE.

1691
00:36:31,490 --> 00:36:32,624
YOU FEEL ME?

1692
00:36:32,624 --> 00:36:34,092
[sobbing]

1693
00:36:34,092 --> 00:36:35,126
THAT'S IT.

1694
00:36:35,126 --> 00:36:35,927
THAT'S THE END.

1695
00:36:35,927 --> 00:36:36,728
SCRAPPY AIN'T NEVER GONNA

1696
00:36:36,728 --> 00:36:37,796
SCREW ME OVER AGAIN.

1697
00:36:37,796 --> 00:36:38,464
YOU KNOW WHAT?

1698
00:36:38,464 --> 00:36:39,130
THIS WHOLE SITUATION

1699
00:36:39,130 --> 00:36:40,499
IS EXTREMELY SAD,

1700
00:36:40,499 --> 00:36:41,467
BUT I'M PROUD OF MYSELF.

1701
00:36:41,467 --> 00:36:42,167
I'M PROUD THAT

1702
00:36:42,167 --> 00:36:42,968
I'M BREAKING FREE.

1703
00:36:42,968 --> 00:36:44,470
HOPE YOU GOT IT ALL OUT!

1704
00:36:44,470 --> 00:36:46,272
[sniffing]

1705
00:36:46,272 --> 00:36:48,139
SO FACE THAT.

1706
00:36:48,139 --> 00:36:48,807
I DON'T WANT TO BE

1707
00:36:48,807 --> 00:36:49,475
A PART OF YOU.

1708
00:36:49,475 --> 00:36:50,276
I DON'T WANT TO BE WITH YOU.

1709
00:36:50,276 --> 00:36:50,909
GOOD.

1710
00:36:50,909 --> 00:36:51,643
I'M JUST TRYING TO WORK

1711
00:36:51,643 --> 00:36:52,344
SOME THINGS OUT WITH YOU,

1712
00:36:52,344 --> 00:36:53,078
BUT IT AIN'T GONNA HAPPEN.

1713
00:36:53,078 --> 00:36:53,745
YOU FINISHED?

1714
00:36:53,745 --> 00:36:54,413
YOU'RE A BITCH.

1715
00:36:54,413 --> 00:36:55,080
THE BITCHINESS

1716
00:36:55,080 --> 00:36:55,747
IS COMING OUT OF YOU.

1717
00:36:55,747 --> 00:36:56,582
I'LL BE A BITCH AND LEAVE.

1718
00:36:56,582 --> 00:36:57,649
THAT'S GOOD, GOOD-BYE.

1719
00:36:57,649 --> 00:36:58,950
GOOD-BYE, BITCH.

1720
00:36:58,950 --> 00:37:00,051
BYE.

1721
00:37:00,051 --> 00:37:00,719
[tapping on glass]

1722
00:37:00,719 --> 00:37:02,688
YOU SIGNED FOR LIFE.

1723
00:37:02,688 --> 00:37:04,690
BYE.

1724
00:37:20,872 --> 00:37:22,374
JOSELINE MAY HAVE APOLOGIZED

1725
00:37:22,374 --> 00:37:23,675
TO CHE' MACK, BUT THEN SHE

1726
00:37:23,675 --> 00:37:24,610
WALKED OUT OF THE MEETING

1727
00:37:24,610 --> 00:37:26,011
AND STOPPED ANSWERING MY CALLS,

1728
00:37:26,011 --> 00:37:27,679
LIKE, "WHAT PART OF THE GAME

1729
00:37:27,679 --> 00:37:28,780
IS THAT?"

1730
00:37:28,780 --> 00:37:30,081
HOW YOU DOING?

1731
00:37:30,081 --> 00:37:31,082
I COULD NEVER TELL YOU

1732
00:37:31,082 --> 00:37:32,351
WHAT'S GOING ON IN JOSELINE

1733
00:37:32,351 --> 00:37:34,219
CABEZA, BUT WHEN SHE CALLED ME

1734
00:37:34,219 --> 00:37:35,554
TO MEET, I KNEW SHE WAS

1735
00:37:35,554 --> 00:37:37,323
PISSED OFF ABOUT SOMETHING.

1736
00:37:37,323 --> 00:37:38,690
YOU KNOW, STEVIE,

1737
00:37:38,690 --> 00:37:39,625
I LOVED YOU.

1738
00:37:39,625 --> 00:37:41,493
AND, YOU KNOW, I LOVED YOU

1739
00:37:41,493 --> 00:37:42,628
LIKE I'VE NEVER LOVED

1740
00:37:42,628 --> 00:37:43,829
ANYBODY BEFORE.

1741
00:37:43,829 --> 00:37:44,563
YOU CAN'T EVEN LOOK AT ME,

1742
00:37:44,563 --> 00:37:45,797
CAN YOU?

1743
00:37:45,797 --> 00:37:47,433
LET ME EXPLAIN SOMETHING TO YOU.

1744
00:37:47,433 --> 00:37:48,500
WHAT YOU'RE NOT GONNA DO,

1745
00:37:48,500 --> 00:37:50,402
YOU'RE NOT GONNA PLAY ME.

1746
00:37:50,402 --> 00:37:51,837
YOU INSIST ON BRINGING BITCHES

1747
00:37:51,837 --> 00:37:52,604
IN MY LIFE.

1748
00:37:52,604 --> 00:37:53,772
YOU HAVEN'T DONE--

1749
00:37:53,772 --> 00:37:54,440
WHEN'S THE LAST TIME

1750
00:37:54,440 --> 00:37:55,106
I'VE BEEN TO THE STUDIO?

1751
00:37:55,106 --> 00:37:55,774
THIS IS WHAT WE

1752
00:37:55,774 --> 00:37:56,442
TALKING ABOUT?

1753
00:37:56,442 --> 00:37:57,175
I'M WORKING ON MY MUSIC.

1754
00:37:57,175 --> 00:37:57,843
GOOD.

1755
00:37:57,843 --> 00:37:58,510
AND GUESS WHAT.

1756
00:37:58,510 --> 00:37:59,244
I DON'T NEED YOU.

1757
00:37:59,244 --> 00:38:00,846
I'M SHOOTING MY VIDEO ON MY OWN.

1758
00:38:00,846 --> 00:38:01,547
ANYTHING THAT I'M DOING,

1759
00:38:01,547 --> 00:38:02,348
I'M DOING IT ON MY OWN.

1760
00:38:02,348 --> 00:38:02,981
WHAT ARE YOU SHOOTING?

1761
00:38:02,981 --> 00:38:03,649
WHAT SONG YOU SHOOTING?

1762
00:38:03,649 --> 00:38:04,550
STEVIE, YOU HAVEN'T HELPED ME

1763
00:38:04,550 --> 00:38:05,216
WITH NONE OF MY MUSIC.

1764
00:38:05,216 --> 00:38:05,884
YOU DON'T OWN NONE

1765
00:38:05,884 --> 00:38:06,552
OF YOUR MUSIC,

1766
00:38:06,552 --> 00:38:07,218
SO WHAT YOU SHOOTING?

1767
00:38:07,218 --> 00:38:07,886
OKAY, WELL,

1768
00:38:07,886 --> 00:38:08,554
WE'LL SEE ABOUT THAT.

1769
00:38:08,554 --> 00:38:09,355
WHEN THAT TIME COMES,

1770
00:38:09,355 --> 00:38:09,988
WE'LL DEAL WITH THAT.

1771
00:38:09,988 --> 00:38:10,656
I DON'T WANT TO BE

1772
00:38:10,656 --> 00:38:11,357
A PART OF YOU.

1773
00:38:11,357 --> 00:38:12,057
I DON'T WANT TO BE WITH YOU.

1774
00:38:12,057 --> 00:38:12,724
GOOD.

1775
00:38:12,724 --> 00:38:13,459
I'M JUST TRYING TO WORK

1776
00:38:13,459 --> 00:38:14,159
SOME THINGS OUT WITH YOU,

1777
00:38:14,159 --> 00:38:14,893
BUT IT AIN'T GONNA HAPPEN.

1778
00:38:14,893 --> 00:38:15,561
YOU FINISHED?

1779
00:38:15,561 --> 00:38:16,362
FIRST, LOOK, YOU NEED TO BE

1780
00:38:16,362 --> 00:38:17,162
DONE WITH ONE PROJECT.

1781
00:38:17,162 --> 00:38:17,996
I GOT A NEW PROJECT.

1782
00:38:17,996 --> 00:38:18,930
I GOT A NEW ARTIST TOO.

1783
00:38:18,930 --> 00:38:19,765
GREAT, YOU NEEDED TO BE DONE

1784
00:38:19,765 --> 00:38:20,432
WITH MY PROJECT

1785
00:38:20,432 --> 00:38:21,132
BEFORE YOU DECIDE TO HELP

1786
00:38:21,132 --> 00:38:21,800
ANY OTHER PROJECT.

1787
00:38:21,800 --> 00:38:22,534
YOU'RE PROJECT WAS DONE

1788
00:38:22,534 --> 00:38:23,201
BEFORE IT STARTED.

1789
00:38:23,201 --> 00:38:24,135
AND I BET YOU KNOW

1790
00:38:24,135 --> 00:38:24,936
THAT WE BREAKING UP,

1791
00:38:24,936 --> 00:38:25,704
AND WE'RE NOT TOGETHER,

1792
00:38:25,704 --> 00:38:26,938
AND YOU NO LONGER MANAGE ME.

1793
00:38:26,938 --> 00:38:27,906
MY VIDEO WILL BE OUT.

1794
00:38:27,906 --> 00:38:28,774
I DON'T MANAGE YOU?

1795
00:38:28,774 --> 00:38:29,841
MY--NO, YOU DON'T.

1796
00:38:29,841 --> 00:38:30,776
YOU NEVER MANAGED ME.

1797
00:38:30,776 --> 00:38:31,643
YOU NEVER DONE ANYTHING FOR ME.

1798
00:38:31,643 --> 00:38:32,811
LISTEN, YOU WERE A PROSTITUTE

1799
00:38:32,811 --> 00:38:33,512
WHEN I MET YOU.

1800
00:38:33,512 --> 00:38:34,446
OH, NOW I'M A PROSTITUTE.

1801
00:38:34,446 --> 00:38:35,414
YOU WAS A PROSTITUTE

1802
00:38:35,414 --> 00:38:36,648
WHEN I MET YOU.

1803
00:38:36,648 --> 00:38:37,383
YOU'RE A BITCH.

1804
00:38:37,383 --> 00:38:37,983
THE BITCHINESS

1805
00:38:37,983 --> 00:38:38,650
IS COMING OUT OF YOU.

1806
00:38:38,650 --> 00:38:39,418
I'LL BE A BITCH AND LEAVE.

1807
00:38:39,418 --> 00:38:40,085
THAT'S GOOD.

1808
00:38:40,085 --> 00:38:40,886
AND I WAS GONNA GIVE YOU

1809
00:38:40,886 --> 00:38:41,820
A CONTRACT, BUT YOU AIN'T

1810
00:38:41,820 --> 00:38:42,488
GETTING [bleep].

1811
00:38:42,488 --> 00:38:43,154
GOOD-BYE.

1812
00:38:43,154 --> 00:38:44,089
YOU KNOW WHAT I'M SAYING?

1813
00:38:44,089 --> 00:38:45,491
GOOD-BYE, BITCH.

1814
00:38:45,491 --> 00:38:46,257
YOU'RE A BITCH-ASS

1815
00:38:46,257 --> 00:38:46,958
MOTHER[bleep].

1816
00:38:46,958 --> 00:38:48,226
YEAH, AND THAT'S

1817
00:38:48,226 --> 00:38:48,894
WHAT I'LL BE.

1818
00:38:48,894 --> 00:38:49,995
WHAT ARE YOU?

1819
00:38:49,995 --> 00:38:50,662
GOOD-BYE.

1820
00:38:50,662 --> 00:38:51,897
GOOD-BYE, BITCH-ASS [bleep].

1821
00:38:51,897 --> 00:38:56,201
KEEP TALKING ON THE WAY OUT.

1822
00:38:56,201 --> 00:38:56,902
STEVIE COULD DO

1823
00:38:56,902 --> 00:38:58,169
WHATEVER HE WANT TO DO.

1824
00:38:58,169 --> 00:38:59,438
I NEVER WANT TO SEE HIM AGAIN,

1825
00:38:59,438 --> 00:39:00,271
'CAUSE I'MA MAKE MYSELF

1826
00:39:00,271 --> 00:39:01,072
A STAR REGARDLESS

1827
00:39:01,072 --> 00:39:02,508
WITH HIM OR WITHOUT HIM.

1828
00:39:02,508 --> 00:39:03,241
I'M DONE WITH THIS BUM-ASS

1829
00:39:03,241 --> 00:39:03,909
[bleep].

1830
00:39:03,909 --> 00:39:04,576
YEAH.

1831
00:39:04,576 --> 00:39:05,243
LOOK AT YOU.

1832
00:39:05,243 --> 00:39:05,911
YOU'RE A BITCH!

1833
00:39:05,911 --> 00:39:06,578
YEAH.

1834
00:39:06,578 --> 00:39:07,413
YEAH, TALKING LIKE A BITCH.

1835
00:39:07,413 --> 00:39:08,113
YOUR ASS IS FAKE!

1836
00:39:08,113 --> 00:39:08,847
YEAH, YOU'RE RIGHT.

1837
00:39:08,847 --> 00:39:09,881
TALK [bleep] LIKE A BITCH!

1838
00:39:09,881 --> 00:39:10,982
YOUR MOUTH IS ALL [bleep]

1839
00:39:10,982 --> 00:39:11,683
FAT, BITCH.

1840
00:39:11,683 --> 00:39:13,284
TITTIES, FAKE, HAIR, FAKE.

1841
00:39:13,284 --> 00:39:15,020
BITCH-ASS [bleep].

1842
00:39:15,020 --> 00:39:15,987
NOW WALK HOME, BITCH.

1843
00:39:15,987 --> 00:39:16,788
CUSTOM ORDER.

1844
00:39:16,788 --> 00:39:22,293
BYE.

1845
00:39:22,293 --> 00:39:23,061
[tapping on glass]

1846
00:39:23,061 --> 00:39:24,996
YOU SIGNED FOR LIFE.

1847
00:39:24,996 --> 00:39:27,198
BYE.

1848
00:39:27,198 --> 00:39:28,800
[chuckles]

1849
00:39:28,800 --> 00:39:29,901
I DON'T KNOW WHERE JOSELINE

1850
00:39:29,901 --> 00:39:31,302
IS HEADED RIGHT NOW--

1851
00:39:31,302 --> 00:39:32,738
MAYBE BACK TO THE STRIP CLUB.

1852
00:39:32,738 --> 00:39:34,440
BUT WHEREVER SHE GO,

1853
00:39:34,440 --> 00:39:35,741
JUST KNOW I GOT YOU

1854
00:39:35,741 --> 00:39:38,009
FOR THE NEXT SIX YEARS, BABY.

1855
00:39:38,009 --> 00:39:40,011
COME TO DADDY.

1856
00:39:44,483 --> 00:39:45,851
ON THE NEXT LOVE and HIP-HOP:

1857
00:39:45,851 --> 00:39:46,585
ATLANTA...

1858
00:39:46,585 --> 00:39:47,486
I DON'T WANT TO FIGHT YOU

1859
00:39:47,486 --> 00:39:48,153
NO MORE.

1860
00:39:48,153 --> 00:39:49,020
I HAVE A CONFESSION

1861
00:39:49,020 --> 00:39:49,721
TO MAKE TO YOU.

1862
00:39:49,721 --> 00:39:51,457
I MADE A DIS SONG.

1863
00:39:51,457 --> 00:39:52,123
OKAY.

1864
00:39:52,123 --> 00:39:54,660
IF IT'S OUT, JUST KNOW--

1865
00:39:54,660 --> 00:39:55,661
NEW CHAPTER.

1866
00:39:55,661 --> 00:39:56,462
WHAT YOU GIVE ME

1867
00:39:56,462 --> 00:39:58,163
THIS DIS RECORD FOR MY BIRTHDAY?

1868
00:39:58,163 --> 00:39:59,130
* WE WAS WITH R. KELLY

1869
00:39:59,130 --> 00:40:00,632
♪ YOU PROBABLY GOT PEED ON

1870
00:40:00,632 --> 00:40:02,468
THE LYRICS SAID

1871
00:40:02,468 --> 00:40:04,302
MY MENTOR PEED ON ME.

1872
00:40:04,302 --> 00:40:06,404
KARLIE, SIT DOWN!

1873
00:40:06,404 --> 00:40:08,239
KIRK BASICALLY TOLD ME

1874
00:40:08,239 --> 00:40:09,775
I SHOULD GET AN ABORTION.

1875
00:40:09,775 --> 00:40:10,476
SOMETHING'S WRONG

1876
00:40:10,476 --> 00:40:11,209
WITH THIS PICTURE,

1877
00:40:11,209 --> 00:40:12,377
'CAUSE IT LOOK LIKE TO ME

1878
00:40:12,377 --> 00:40:13,211
HE'S KEEPING COMPANY

1879
00:40:13,211 --> 00:40:14,279
SOMEWHERE ELSE.

1880
00:40:14,279 --> 00:40:16,381
SHE'S NOT GONNA GET AN ABORTION.

1881
00:40:16,381 --> 00:40:17,048
SO IF ME AND YOU WERE

1882
00:40:17,048 --> 00:40:18,650
BUSINESS PARTNERS AND--

1883
00:40:18,650 --> 00:40:19,417
THAT AIN'T GOT NOTHING

1884
00:40:19,417 --> 00:40:20,251
TO DO WITH IT, KIRK!

1885
00:40:20,251 --> 00:40:21,687
IT HAS A LOT TO DO WITH IT.

1886
00:40:21,687 --> 00:40:24,055
YOUR MARRIAGE COME FIRST!

1887
00:40:24,055 --> 00:40:26,124
* I FLEW RED-EYE TO THE "A"

1888
00:40:26,124 --> 00:40:27,926
♪ PRIVATE TO L.A.

1889
00:40:27,926 --> 00:40:29,928
♪ FIRST CLASS TO N.Y.

1890
00:40:31,930 --> 00:40:32,698
CHECK THIS OUT.

1891
00:40:32,698 --> 00:40:33,732
IS THIS THE CAR?

1892
00:40:33,732 --> 00:40:34,466
YEAH.

1893
00:40:34,466 --> 00:40:35,200
YOU GIVE ME THIS,

1894
00:40:35,200 --> 00:40:35,901
THIS SHOULD BE MINE

1895
00:40:35,901 --> 00:40:36,635
WITH NO STRINGS ATTACHED.

1896
00:40:36,635 --> 00:40:37,703
YEAH, NO, NO STRINGS.

1897
00:40:37,703 --> 00:40:38,369
YOU'RE DAMAGED.

1898
00:40:38,369 --> 00:40:39,204
WE DON'T TALK ABOUT THAT.

1899
00:40:39,204 --> 00:40:39,871
I SOUND DAMAGED?

1900
00:40:39,871 --> 00:40:40,539
YOU SOUND LIKE

1901
00:40:40,539 --> 00:40:41,206
A DERANGED WOMAN.

1902
00:40:41,206 --> 00:40:42,674
GOT YOU, I GOT YOU.

1903
00:40:42,674 --> 00:40:43,642
GO BACK TO STEVIE.

1904
00:40:43,642 --> 00:40:44,543
NO, [bleep] YOU,

1905
00:40:44,543 --> 00:40:46,545
MOTHER[bleep].

1906
00:40:58,389 --> 00:40:59,157
REMEMBER WHEN YOU YELLED

1907
00:40:59,157 --> 00:40:59,891
IN MY FACE ABOUT SOME

1908
00:40:59,891 --> 00:41:01,960
MOTHER[bleep] BACON, BITCH.

1909
00:41:01,960 --> 00:41:03,328
I DID NOT YELL AT YOU

1910
00:41:03,328 --> 00:41:04,229
ABOUT NO DAMN BACON.

1911
00:41:04,229 --> 00:41:04,963
STOP IT.

1912
00:41:04,963 --> 00:41:05,831
I AIN'T GOT TIME, BUT, YEAH.

1913
00:41:05,831 --> 00:41:07,032
BACON?

1914
00:41:07,032 --> 00:41:07,799
'CAUSE I WOULDN'T--

1915
00:41:07,799 --> 00:41:09,034
NOW YOU MAKING UP STORIES.

1916
00:41:09,034 --> 00:41:10,301
YOU WERE IN MY MOTHER[bleep]

1917
00:41:10,301 --> 00:41:11,537
KITCHEN, BITCH.

1918
00:41:11,537 --> 00:41:12,137
AND I YELLED TO YOU

1919
00:41:12,137 --> 00:41:12,871
ABOUT SOME [bleep] BACON?

1920
00:41:12,871 --> 00:41:13,639
'CAUSE I WOULDN'T MAKE

1921
00:41:13,639 --> 00:41:15,607
THE EGGS AND [bleep] BACON

1922
00:41:15,607 --> 00:41:16,307
THAT MORNING.

1923
00:41:16,307 --> 00:41:17,108
[laughs]

1924
00:41:17,108 --> 00:41:18,677
[bleep], BITCH.

1925
00:41:18,677 --> 00:41:19,645
I YELLED AT YOU?

1926
00:41:19,645 --> 00:41:20,378
YOU DON'T--

1927
00:41:20,378 --> 00:41:21,780
"YOU GET MY [bleep] BACON.

1928
00:41:21,780 --> 00:41:22,447
AND GET OUT OF MY

1929
00:41:22,447 --> 00:41:24,115
MOTHER[bleep] FACE!"

1930
00:41:24,115 --> 00:41:24,783
[laughing]

1931
00:41:24,783 --> 00:41:25,450
BACON?

1932
00:41:25,450 --> 00:41:27,452
EVERYTHING.